Antonio Tagliolini
Art
Known For

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Capitan Fracassa

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Il cavaliere senza nome

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La maschera di Cesare Borgia

A woman, a theatrical impresario, simulates the theft of a precious necklace for marketing purposes. A young singer living in the province is believed to be responsible for the theft and is arrested.
Non canto più

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The Adulteress

A decadent noblewoman, whose stranded husband has dilapidated their whole fortune on gambling, tries to keep her daughter in school while hiding their state of poverty from her, by leading a double life as an exotic dancer.
The Fire Dance

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Tre ragazze cercano marito

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Il ventesimo duca

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Giuliano de' Medici

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Merchant of Slaves

Enrico breaks up his marriage to Renata because he discovers that in the registry office she is already married to a certain Giulio, an inhabitant of a country town. The couple leaves in search of the mysterious Giulio who is about to marry Marcella, but her wedding also ends.
Il fidanzato di mia moglie

One of the most highly regarded pairs of authors, directors and performers in European theater, Daria Deflorian and Antonio Tagliarini engage with Federico Fellini's cinematic imagery and his deep look into human lives. A work about meeting each other, dancing together, being a couple, intimacy and dialogue, loosely inspired by the film Ginger and Fred starring Marcello Mastroianni and Giulietta Masina as an elderly tap-dancing couple, Pippo and Amelia. The title comes from the reversal of a line Amelia says at the end of the film to Pippo: “I don't think we will have the chance to dance together again.” It is also a work dedicated to the performers, the masks they wear, and their determination to play all their lives.