Sound
Osvaldo Pugliese transcended the world, created his own style in tango and became a saint against bad luck for musicians. In the film, his daughter, granddaughter, musicians and fans retrace his steps to unveil this mystery.
A portrait of the courageous efforts of Argentine grandmothers to locate their missing grandchildren, victims of state terrorism during the late 1970s and early 1980s. Some were kidnapped, others were born in captivity. The film includes interviews with military personnel and grandchildren who were found and reunited with their families.
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
Short film.
The citizen music performed on the bandoneon serves as a poetic framework to talk about a Buenos Aires that little by little is disappearing.
Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.
Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
When Rey left Argentina after it fell under a military dictatorship in the late 1970s, he also left behind a very controlling and authoritarian father. Now he has returned to the country from exile for the funeral of his father. Though he left the man behind physically, their relationship still haunts him. Meanwhile, his old college pal Isabel has also returned to Argentina to help her husband and child cope with the effects of her long absence, brought about because she had a politically unsuitable lover. The two returnees are contemplating filming an autobiographical film about their experiences.
The story takes us on a journey of tributes to the greatest bandoneon player of Buenos Aires, Aníbal Troilo, through interviews, musical sequences, dance and the powerful presence of football. The film intertwines fiction and testimonies to reveal to us a brilliant musician.
It tells the complex relationship of Milo, a teenager, and his old protector. Adaptation of "Around the cage", work of the writer Haroldo Conti, disappeared in 1976 by Argentine dictatorship.
No description available.
Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.
Two journalists start a documentary with the question ¿What happened to Argentina?
The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world
This is a love story, that of a circus family: the Magotes. A month before the start of their 8th season at Aguas Verdes, Pablo, a trapeze artist and juggler, has a stroke and wakes up completely blind. But the show is starting, and it's time to get back into the ring.
