Simon Coates

Jack Frost is a gritty, dogged and unconventional detective with sympathy for the underdog and an instinct for moral justice who attracts trouble like a magnet. Despite some animosity with his superintendent, Norman “Horn-rimmed Harry” Mullett, Frost and his ever-changing roster of assistants manage to solve cases via his clever mind, good heart, and cool touch.

In the cutthroat world of international finance, a group of young graduates compete for a limited set of permanent positions at a top investment bank in London. The boundaries between colleague, friend, lover, and enemy soon blur as they immerse themselves in a company culture defined as much by sex, drugs and ego as it is by deals and dividends.

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.

Low-born Helena is convinced that she and the high-born Bertram are meant to be. Bertram does not, so he runs off to fight in the Italian wars with his "#bff" Parolles, where he meets Diana. The lopsided love triangle all comes crashing down when the two women meet and devise a diabolical plan.