Maria Leite

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

The body of a trans woman lies lifeless in a soy plantation and three lives react to her missing and presumed death.

Mati meets up again with Julia, her girlfriend, who now lives in a distant and cold place. There, they are faced with the lack of identity and the impossibility of returning home.

Cássia goes to sleep to the sounds of her alcoholic father and wakes up with the crow of her rooster bred for cockfighting. Her routine obeys a disciplined logic of restlessness and hard work. Between driving her father's taxi and tending their rooster, she is on the verge of breaking out to find a life of her own.

Losing herself in a new city, Ana finds Alice, her doppelgänger, and follows her. Face to face, glimpsing their respective abysses, they will discover what it means to become themselves, as they uncover new paths amidst the memories, languages and images of the cities they inhabit.

Erik, a 13-year-old boy, has a platonic crush on Sheila and, to get closer to her, claims to have a tape at home with the legendary “last episode” of the cartoon Dungeons & Dragons. With the help of his friends, he seeks a way out of the mess he has gotten himself into, experiencing an intense coming-of-age story.

A big bang. There is no sign of what happened to the outside world, however, before living there becomes unsustainable, Helena decides to follow through with her plan: to kill the president.

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A key starts up the engine of a complex mechanical structure where chain reactions, be they planned or random, are combined to cooperate. The movement represents pure energy, which may evolve towards synchronicity, chaos, or something in between.

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