Andrew Gourlay

The story of Claire Randall, a married combat nurse from 1945 who is mysteriously swept back in time to 1743, where she is immediately thrown into an unknown world where her life is threatened. When she is forced to marry Jamie, a chivalrous and romantic young Scottish warrior, a passionate affair is ignited that tears Claire's heart between two vastly different men in two irreconcilable lives.

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

Many years after the war has been lost, and all the dragons slain, a lone knight travels the lands of Agonos seeking to raise an army against the demon lord Abaddon. When a healer's vision reveals that one dragon still lives, and together with an eager young squire, the knight sets off in search of the fabled creature. As the armies of Abaddon descend on the human kingdoms, the dragon is their last hope of fending off the horde, before it lays waste to the lands of men. But does the creature even exist? And if it does, will it fight for them once more?

This very dark, very Gothic and very grim medieval horror follows the tumultuous reign of Queen Ginnarra and her mounting obsession to murder her exiled brother, the prince, by any means possible. No matter the cost in blood, lives or even souls.

Antique expert Brendon Cole is summoned to authenticate a 300-year-old clockwork doll with a notoriously dark history known as The Inferno Princess. In the remote Highlands mansion where it has recently been uncovered, Brendon soon finds himself the victim of the automaton’s legendary curse as the malevolent forces surrounding it are terrifyingly awakened.

When a Russian dissident is released after 20 years of imprisonment, he finds his wife in despair, his son estranged and the world outside sinking into racial violence. As events get out of hand, the rivalry between blacks and whites turns into a murderous mob riot. Birmingham Opera’s artistic director Graham Vick takes up the challenging of mounting Tippett’s both visionary and eccentric opera, that has remained unstaged since its premiere in 1977. An unused warehouse is transformed into an airport terminal, through which the audience enters a participatory experience, ushered by the chorus.