Acting
Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.
Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.
La Dueña (Mexico) is a Mexican telenovela produced by Florinda Meza in 1995 for Televisa. It was transmitted by El Canal de las Estrellas in Mexico and Univision in the United States in 1995 and 1998, and on Galavisión in 2000.
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Entre la vida y la muerte is a Mexican telenovela produced by Angelli Nesma Medina for Televisa and originally broadcast on Canal de las Estrellas from January 11 to July 2, 1993. It was the first telenovela produced by Angelli Nesma Medina for Televisa. The story follows Dr. Susana Trejos, who is about to marry the ambitious lawyer Andrés del Valle, unaware that he plans to kill her to inherit her fortune. After a series of unexpected events leads everyone to believe she has died, Susana finds herself stranded in the Lacandon Jungle, where she meets an archaeologist who shares the same name as her fiancé. As she uncovers the truth behind the conspiracy against her, Susana must fight for justice, love, and a new beginning.
The making of Alejandro González Iñárritu’s Babel is chronicled through an observational approach that captures the creative and logistical challenges of filming a deeply interconnected narrative across four continents. Directed by Carlos Armella and Pedro González-Rubio, the documentary reveals Iñárritu’s commitment to authenticity and cultural sensitivity, from collaborating with local actors and communities to meticulously recreating environments. Through behind-the-scenes footage and the director’s reflective commentary, it delves into themes of human connection, the boundaries we hold within ourselves, and the visceral nature of communication, offering profound insights into the philosophy behind the acclaimed film.
An heiress and some friends pose as gypsies to fight back against some bad-hats who are squatting on her new estate.
Upper-crust city gal falls for a rough-edged working-class guy, so she follows him to his home town and masquerades as a peasant/Indian local to win him over. All very stalky and classist.
After a trip to Europe, Regina de Alba comes home and finds out her mother is nowhere to be found. When her step-father's criminal past becomes known, her suspicions increase.
Itinerant cowboy impersonates the missing-presumed-dead owner of a hacienda to set matters straight and bring criminals to justice.
Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.
A filmmaker is commissioned to film a documentary on the social reality of the Lacandon people in the state of Chiapas. As he enters the harsh living conditions of this indigenous community, his social conscience forces him to confront his superiors, who threaten to destroy his material.
Three big-city wimps have to pass for machos when they go to their home-town.
Repressed middle-aged Catholic gets into a troublesome relationship with the prostitute next door and her little boy.
Teen-pop singer launches his career. Family conflicts and girlfriend troubles.
A group of sexy space vixens flies down to Earth, sets up a shop at a carnival (disguising their ship as a ride), and kidnap some earthlings in their scheme to conquer our planet. The humans, including Marcos, a crooked boxer and our hero, Silvia, his love interest, and a gang of comical mobsters out to kill Marcos, are taken to the women’s home planet. There they are held prisoner by the evil queen Adastrea and aided by her selfless twin Alburnia. Meanwhile, a standard issue hunky scientist back on Earth, who happens to be Silvia’s boss, tries to rescue them.
A veteran policeman named Fernando feels a lot of hatred against Ángel because the boy ran him over with a car leaving him lame. Now Fernando accuses the young crook of having participated in a robbery at a gas station in which a murder has occurred. Helped by his friends, Ángel rebuilds the facts that serve him as an alibi, but while he is in pre-trial detention in La Modelo prison (Barcelona) a terrible mutiny will take place.
Doctor visiting an under-served island community gets deeply involved with a mysterious priestess-chieftain-exotic dancer. Remake of Zonga, El Angel Diabolico (1957).
