Acting
In this contemporary take on the classic fable “The Boy Who Cried Wolf,” a man finds himself bored with his job — and decides to amuse himself by playing pranks on his coworkers, only to find that they may be disinclined to believe him when their trust is most critical.
The Coffmans are desperate to win their bid for residency in a new, environmentally friendly condo. Putting their best face forward, they work to convince a jaded government auditor that their lifestyle makes them worthy of acceptance. But when another couple vies for the same home, a battle for environmental superiority begins.
In the era of social distancing, everyone has had to adjust. But in the world of professional (or semi-professional) wrestling — where in-the-ring competition necessarily requires close physical contact — the challenges presented are particularly troublesome. But a shift in emphasis toward other entertainment aspects may be just what the sport needs to survive.
A young woman awakens alone in her new (and as-yet-unfurnished) home on New Years's Day, having skipped festivities the night before. But in an offhand attempt to make a worthwhile New Year’s resolution, she inadvertently invokes an… unconventional advisor.
Alina, eager for a promotion at work, agrees to take on what appears to be a straightforward task: Housesitting and taking care of her boss Sybil’s precious dog, Winston. But confusion sets in when Alina arrives at the home only to discover that ”Winston” is in fact a stuffed animal — leading her to question both her boss’s motives and her mental state.
Emily is nervous about meeting her husband Wilson’s family for the first time at their annual Independence Day gathering. Having eloped, she is concerned that the family will never accept her as one of their own. But Wilson has a plan to bring her into the fold — competing in the family’s annual (if ridiculous) tradition of throwing balls at a target object, a barely-recognizable variation of bocce.
Rick and Lucy, two creative office workers, find themselves — and the rest of their office mates — behaving in increasingly outlandish ways, all while a mysterious laughter punctuates their actions. As they try to get to the bottom of the situation, they slowly realize there may be no escape from their predicament.
Quentin has a problem: one of his neighbors is gradually taking over the community garden, pushing everyone else out and consolidating her claim. His friend Brent is pushing him to confront the offender, but Quentin seeks the wisdom of Tex — a genuine Old West gunslinger who just happens to find himself in the modern era.
Phil has an amazing ability: With a touch, he can see exactly one hour and eight minutes into someone’s past. Unfortunately, it seems to cause him nothing but trouble — especially at the office, where he is called in before the boss and lectured on “inappropriate touching.” His coworker Lily is convinced that his ability makes him a superhero, but Phil is hardly persuaded… until a chance bump with a new client shows him that he may have an opportunity to prove her right.
Recent high school graduate Caleb is reluctant to embrace his friend Abby’s advice to embark on a new chapter of his life; he prefers the status quo. But his own perspective shifts radically when a sudden accident leaves him dead — and reanimated as a ghost. Guided by longtime spirit (and 1970s holdover) Paul, Caleb must acquaint himself with his newfound condition… and ultimately determine the course of his “unlife.”
On his 60th birthday Clark Westfield begins to hear what some people were thinking. Not sure which event bothers him more, he tries to deal with both..
A couple on their way to a vacation destination is feeling apathetic about their plans (and possibly each other), when they unexpectedly encounter an unusual trio of ukulele players on their way to a wedding gig.
A jaded political campaign operative gradually realizes the horrific true nature of the popular yet brash candidate she is working for.
Authors Libby Daricek and Mark LaSalle are each working to finish their respective novels — Mark’s being a crime thriller, and Libby’s an emotional drama. But as they describe scenes from their works (and propose changes to their pieces), their collaborative relationship is put to the test, especially as they learn they may be competing for the same goal.
