Vladimir Gojun

16-year-old Lucia joins the Catholic school choir where she befriends senior Ana-Maria. During a choir retreat Lucia's attraction to a restoration worker creates tension with Ana-Maria and challenges her faith.

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.

Anamarija starts her job as a counsellor at a new school. Together with her, the viewers begin to appreciate what kind of people the staffroom teachers are, they witness the petty conflicts and also uncover the power games that go on behind the scenes. This self-assured debut from Sonja Tarokić about the individual's struggle within the system and the sheer effort required to preserve one’s integrity, also presents a complex study of an institution whose employees have taken on one of the most responsible roles an adult can have – to educate future generations.

A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.

Tonina has always taken care of her family, however she never felt like they really reciprocated her with an equal amount of help and love. Believing that it's her given right, she decides to aquire the ownership rights to a small family holiday home on the island of Hvar. However, after the rest of her kin realize what she had done, tensions begin to brew and a small family gathering turns into a turf war.

A fairy tale set in the bucolic countryside of Central Europe at the turn of the 20th century. Anka, an orphan girl, bravely sets off in the pursuit of a home, facing the hardships of life, and ultimately finds her place with the help of a magical world and its mysterious creatures.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories. In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.

Croatia, 7th of January 1992: In the middle of the war, a young journalist's body is discovered dressed in the uniform of an international mercenary group. Twenty years later, his cousin Anja Kofmel investigates his story.

A group of spunky seniors launch an armed rebellion against the employees of their retirement home, where they’ve been subjected to years of abuse and humiliation. Abandoned by their loved ones and left with nothing to lose, they stage an insurrection that grabs headlines, shocks the country — and proves that it’s never too late to find something worth fighting for.

All Vida wants is a baby. Instead, she is trying not to lose her mind as she juggles the men in her family - her sexist grandfather, her infertile husband, and her dad, a man-child.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.

An elderly farmer stands up for his village when a Chinese construction company swoops in, and he finds an unexpected ally in a social media influencer.

Hana, a shy sweet sixteen, is secretly in love with Mario, a schoolmate and half of popular youtube duo Luka & Mario. Hana observes the shoot in which Luka accidentally hurts Mario. Hana helps Mario with the wound, and gets invited to go with him and Luka to a lake where they will shoot a solar eclipse tomorrow.

Marko and Atanas are two friends whose lives would be sweet as strudel but for an annoying little problem with their papers. They need a European passport and they are prepared to do almost anything to get one, including buying a wife. With nothing but their brass necks and 7,000 euros, they set out to find the woman of their dreams.

A documentary about Sarajevo’s preeminent Yugoslav-era businessman and mayor, Emerik Blum, and the inner workings of his engineering company, Energoinvest.

Kick and Scream follows the final half-hour of a marriage. Through the perspectives of wife, husband and their six-year-old child, where reality is intertwined with puppet play, we learn about their own truths, becoming less certain of our initial judgment of character.