Charlotte Bayer-Broc

Jacob, an elderly man living in a luxurious villa near Geneva called Rosebud, has just changed his name for the third time and become a Swiss citizen. His granddaughter comes to visit to make a portrait of him. As she searches for a way to bring his story to life, Jacob abandons the project…

At the beginning of the 80's, Brocatella sings the praises of telematics to her friend Nino, who doesn't know what is it. Yet, her job for Minitel Rose (erotic chat) bores her and doesn't let her forget her ex, Electra. But maybe love is just a click away…

In 1786, Goethe goes to Italy, to accomplish a childhood fancy. But how can he see the beauty of his Arcadia? There, everything is too ardent for the eyes, starting with Vesuvius which is erupting, and this mysterious Englishwoman famous for her “Attitudes,” a show inspired by antique sculpture.

Andréa spends the summer writing in a holiday home. Inconsolable after a break-up, she urges her sister Ninon to join. But her ex-girlfriend Elise unexpectedly shows up to patch things up. And it’s already too late to tell Ninon not to come. Let the full game begin.

Marta, Luc and Charlotte, aged twenty-five to thirty-years old, have a lot to share in the city of Paris: friendships, demands and refusals. Ideas grow in the occupied university departments. THE EPISODES - SPRING 2018 is so singular in its approach to existence and so sovereign in the way it establishes its own language that all attempts at defining, assigning a genre or a previously identified aspect of film, are doomed to failure. All we have to do is open up the dictionary: after all, that was Ponge’s reaction when confronting the unknown. « Episode. A work’s division including several parts, each forming a self-sufficient whole. A more or less striking moment in a lifetime. A set of actions, of events forming a whole and making up a striking moment in history or time. »

More than 3,000 miners of Chile’s La Pampa were shot down by the national army during a demonstration in Iquique, a massacre told in Luis Advis’s 1969 cantata Santa María de Iquique. In The Blue Devils, Charlotte Bayer-Broc wanders through one of the ghost mining towns—a remote outpost in the Atacama Desert—interpreting Advis’s lament across eerily abandoned landscapes and industrial vistas. Bayer-Broc upends cinematic convention in a beguiling adaptation that is entirely her own; this medium-length musical is at once personal and political, reverent and burlesque.

A secret organization prepares to hack a data center. To remain anonymous during their meetings, the hackers take on the appearance of missing members of the organization.