Daniel Francis

Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.

There is a town in Maine where every story book character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth and only one can break the spell.

The lives of five young villagers change forever when a strange and powerful woman arrives, claiming one of them is the child of an ancient prophecy with the power to tip the balance between Light and Dark forever. They must choose whether to trust this stranger – and each other – with the fate of the world before the Dark One breaks out of His prison, and the Last Battle begins.

Two agents—and former lovers—must work together to combat international cyberattacks threatening the UK while also confronting the buried secrets of their destructive relationship.

An anthology series of five stories looking at the lives of a group of friends and their families in London’s West Indian community from the late 1960s to the early 80s.

When Carlton Flynn vanishes 17 years to the night after Stewart Green did, it sets off a chain reaction in the lives of people connected to both men.

A grieving woman in a secluded forest encounters a killer who injects her with a paralytic drug. As her body shuts down, her fight for survival begins.

A street smart runner develops an intense rivalry with an equally ambitious wealthy young athlete.

A dark, surreal comedy about a local man who becomes convinced that a vast conspiracy is behind the impossibly rapid gentrification in his London area. But is it all in his head, or is the truth even darker than he imagines? Cla'am is the debut short from Nathaniel Martello-White, one of the UK's leading young playwrights.

A Black boy’s journey through an ineffectual public school system reveals the racial inequities built into everyday British life. Young Kingsley Smith (Kenyah Sandy) is a spirited aspiring astronaut with a love of drawing whose life is turned upside down when he is thrust into a new school for the “educationally subnormal”—a harrowing experience that gradually awakens his mother (Sharlene Whyte) to the institutional mistreatment of the children of West Indian immigrants. Shot on Super 16 mm to evoke BBC television dramas from the 1970s, the final Small Axe film concludes the pentalogy with a hopeful vision of the power of Black-led collective action.

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