Massimo Franceschi

Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.

In Italy, a woman fears her sister has been kidnapped; Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.

Anna and Piero fighting routine of a long marriage, when Piero loses his memory, Anna reconstructs his way. For its part, the concierge Rocco and his friend Michele play in a group that emulates the Beatles and face opposition from their partners. Finally, Marcello and Paola are a divorced couple who, from time to time, pretend they are still together to avoid problems. They are victims of a relentless war of sexes.

Giorgio Capitani reconstructs in the Rai TV film the parable of the famous entrepreneur, in a product that in technical terms does not escape the logic of television, but still manages to offer an interesting picture of a key figure of postwar Italy.

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