Vivien Pottersman

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?

A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't trust Sam, and Rachel can't quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.

A young Dublin woman is stalked by a telephone charmer who poses victims nude and then stabs them.

A young black woman in England becomes increasingly frustrated with her life with her lazy, demanding boyfriend, and with the help of friends seeks something better.

That Musical We Made is an honest and funny look at the making of a musical. Victoria Wood takes us behind the scenes of That Day We Sang, the film she wrote and directed, and also looks at the real events which inspired her story. She goes back to Manchester to find out about the original choir of the 1920s, and the children who sang on the record of Nymphs and Shepherds. And in between unpeeling the history and sharing the fun of the shoot, she tries to work out how a piece of writing can evolve. Victoria unpicks the process in an attempt to understand how what started as a straightforward account of a day in the life of a children's choir in 1929 ended up as a middle-aged love story about the power of music to reconnect lonely people and give them a second chance to fall in love.