Damon Evans
Acting
Biography
From Wikipedia, the free encyclopedia Damon Evans (born November 24, 1949) is an American actor, born in Baltimore, Maryland, best known as the second of two actors who portrayed Lionel Jefferson on the CBS sitcom The Jeffersons. He also portrayed the young Alex Haley (ages 17–25) in the ABC television miniseries Roots: The Next Generations. Evans attended the Interlochen Academy on a Reader's Digest Scholarship. After graduation, he attended the Boston Conservatory of Music. While in Boston he appeared in productions of Two If by Sea, Hair, and The Corner at the Theatre Company of Boston. His Off-Broadway credits include performances in A Day in the Life of Just About Everyone, Bury the Dead (for the Urban Arts Corp) and Love Me, Love My Children. He made his Broadway debut in The Me Nobody Knows. Other Broadway credits include Via Galactica and Lost in the Stars. He also toured as Judas and Jesus Christ in the authorized concert version of the musical Jesus Christ Superstar. He appeared in the Tony-, Obie-, and Drama Desk Award-winning Broadway musical Don't Bother Me, I Can't Cope. In the late 1980s, Evans appeared in Trevor Nunn's enormously successful, critically acclaimed, Glyndebourne Festival production of the George Gershwin opera, Porgy and Bess, and again in the 1993 television adaptation of that production. In addition to Evans and other noted performers, this British production of Gershwin's 'American folk opera' featured the Glyndebourne Chorus and the London Philharmonic, both conducted by Sir Simon Rattle. Evans played Sportin' Life, a role originated by John W. Bubbles and originally written for famed 1920s and 1930s jazz bandleader and singer Cab Calloway. CLR
Known For
A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.
Saturday Night Live
The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift - the 'Third Watch'.
Third Watch
The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.
Great Performances
The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.
Tony Awards
Sitcom following a successful African-American couple, George and Louise “Weezyö Jefferson as they “move on up” from working-class Queens to a ritzy Manhattan apartment. A spin-off of All in the Family.
The Jeffersons
Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.
Roots: The Next Generations
Inspired by the Stanley Milgram obedience research, this TV movie chronicles a psychology professor's study to determine why people, such as the Nazis, were willing to "just follow orders" and do horrible things to others. Professor Stephen Turner leads students to believe that they are applying increasingly painful electric shocks to other subjects when they fail to perform a task correctly, and is alarmed to see how much pain the students can be convinced to inflict "in the name of science."
The Tenth Level
The story of a disabled beggar in Charleston,S.C. who falls in love with a prostitute, this is the first filmed version of Gershwin's opera which uses Gershwin's own orchestrations and practically all of the music, with only one major cut.