Lucile Hadžihalilović

After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, the Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, the Butcher returns to Paris to find his daughter.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Jeanne, a 15-year-old orphan, witnesses the shoot for a film adaptation of the fairy tale The Snow Queen, and she becomes fascinated by its star, Cristina, an actress who is just as mysterious and alluring as the Queen she is playing.

At a peculiar all-girls academy, new arrivals, including Iris, are delivered in coffins. Guided by enigmatic teachers, the students dance through enchanted woods by day, while the night unveils sinister lessons that blur innocence and awakening.

11-year-old Nicolas lives with his mother in a seaside housing estate. The only place that ever sees any activity is the hospital. It is there that all the boys from the village are forced to undergo strange medical trials that attempt to disrupt the phases of evolution.

Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.

Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.

In 1985, in the obscure town of Dolores, the Orapronobis, a cult under the leadership of Kumander Kontra, murders a foreign priest who gave the last rites to an alleged rebel, who was also executed by the same group.

Good Boys Use Condoms is a short story of a man changing condoms when changing sexual partner. It is from a series of short erotic films promoting condoms. These films were made for French TV.

A round chamber in a park, where five women perform a ritual they know well. The queen gives her nectar. Yet a new cycle is already under way.

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.

A ten year old girl is received by her aunt because of her mother's confinement to a mental hospital. But the aunt lives with a man, Jean-Pierre, who seems to be a little too nice with the girl.

Nono is in love with Raphaël, but he falls ill and leaves him. Hoping to find him there, Nono hangs around in a strange bar where an old man makes advances towards him.

At just under 10 minutes, the film brings to life a fusion of pleasure mixed with terror. It begins dark, transporting the viewer into a woodsy scene where it must be close to midnight and who knows what can happen in the middle of nowhere.

The story of the French fantasy cinema from Méliès to Raw.

Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.

Water, earth, air, fire – and two children at the height of summer.

Four filmmakers share a montage of their original ghost images and rushes on a mix of I've seen the future.

A hypersensitive wind turbine tech encounters an activist and a special child in Romania, leading her into a fight against bus-dismantling criminals and forcing her to confront her own growth.

Filmmaker Lucile Hadzilalilovic, winner of the Silver Bear at the 2025 Berlinale for “The Tower of Ice”, delves into her world of hauntingly beautiful tales. From “Innocence” to her latest film, she crafts stories rich in mystery, where powerful women and enigmatic youth evoke the legacy of Argento-style genre cinema.