Ioana Manolescu

After surviving a shipwreck in the Caribbean, a captain returns home burdened by guilt and haunted by the past. Given command a ship bound for Singapore, he is treated with suspicion and hostility by his new crew.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

The best workers from various factories in the communist system are rewarded a cruise on the Danube. The people in charge fight for bureaucratic reasons while the young ones are looking for adventure.