Temi Wilkey

Inexperienced Otis channels his sex therapist mom when he teams up with rebellious Maeve to set up an underground sex therapy clinic at school.

As Britain is rocked by unstable political, economic and technological advances, members of the Lyons family converge on one crucial night in 2019. Over the next 15 years, the twists and turns of their everyday lives are explored as we find out if this ordinary family could change the world.

The true story of London Metropolitan police detective Colin Sutton's manhunt for serial criminals.

Brace yourselves - the new kids are here. Five talented black scholarship students, and an elite private school with a reputation problem. One of them will have to change...

Katie and Stefan fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. Stefan and Kate blame each other and the search for the truth begins.

Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin directs Paapa Essiedu as Hamlet in Shakespeare's searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.

Commissioned by the BBC & BFI, CLASH is a short experimental documentary critiquing Britain's obsession with period dramas, and how they erase the diverse reality of Britain today. This film - part parody, part candid interview - is a response to Humphrey Jennings' 1942 'LISTEN TO BRITAIN', a documentary used to propel a myth of national unity. CLASH, through the perspectives of underrepresented queer people of colour, critiques the myths we still tell ourselves on screen. Through candid interviews and staged period-drama sequences with our subjects - involving a hobby horse race in East London - our film explores the issues surrounding nostalgic heritage cinema, and how it erases the diverse landscape of Britain today.

Britain is in crisis. An ineffectual Queen Cymbeline rules over a divided dystopian Britain. Consumed with grief at the death of two of her children, Cymbeline's judgment is clouded. When Innogen, the only living heir, marries her sweetheart Posthumus in secret, an enraged Cymbeline banishes him. Behind the throne, a power-hungry figure plots to seize power by murdering them both. In exile Innogen's husband is tricked into believing she has been unfaithful to him and in an act of impulsive jealousy begins a scheme to have her murdered. Warned of the danger, Innogen runs away from court in disguise and begins a journey fraught with danger that will eventually reunite Cymbeline with a long-lost heir and reconcile the young lovers.

Orla is riding the brink caring for her terminally ill Dad, Darragh. While waiting in the pharmacy for his pain medicine, all hell breaks loose when Orla's ex-girlfriend shows up to return a potted succulent.