Lia Hietala

19 year old Linnéa leaves her small town in Sweden and heads for Los Angeles with the aim of becoming the world's next big porn star, but the road to her goal turns out to be bumpier than she imagined.

Nilo is a feminist writer, living an orderly life with her husband and 13-year-old daughter Laura. When her irresponsible sister Maya, whose projects constantly tend to bomb, both "kidnaps" Nilo's Volvo and daughter and heads south, Nilo tags along. The goal of the trip is Portugal, where the sisters’ complicated mother recently diagnosed with cancer lives, together with Maya’s son, who it has finally become time to take responsibility for.

Amber belongs to a queer generation which no longer wants society to dictate their identity. The teenagers proudly inhabit a spectrum of fluid identities and master their first loves and losses.

10-year old Cleo joins her lesbian sister Gabbi and her girlfriend to her summerhouse. In the center of attention is the biggest question: Who is Cleo in love with, is it a girl or is it a boy?

Filmed entirely in the director's Toronto apartment, What I LOVE about being QUEER is a candid and raw look at queerness. In some scenes, the hum of Shraya’s refrigerator or soft giggling can be heard off in the distance. It all makes for an honest, yet familiar account of being queer… Shraya’s intimate, yet humourous approach is a welcome change of pace.

On a Friday morning after the nightshift at the strip club Chat Noir, Becky and Sara head off to Café Tintin for breakfast together. There, they discuss everything from worries about money, motherhood, and dreams about getting pets, to how to deal with condescending comments about their line of work.

From the carefree summers of childhood to the turbulent teenage years. Five formative years in a young group of friends in Stockholm, where their bond is put to the test as they navigate their way into adulthood.

Summer is finally here, and a motley group of young people head through the Stockholm night in search of intoxication and closeness. Together they have created an oasis where they can be themselves, a group of friends with a mishmash of backgrounds and sexualities where no one apologizes to anyone. Over the course of a day, they move from forest raves to house parties, mixing alcohol and drugs with reflections on love and existence, right up to the inevitable going home. Blomster offers a playful and associative close-up of a group of young people’s search for belonging, seasoned with humor, civilizational criticism, and sensual realism.