
Nicolás Wong
Camera
Biography
Costa Rican cinematographer born in Peru. Known for films like Jayro Bustamante's La Llorona and Valentina Maurel's I Have Electric Dreams, among others.
Known For

Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.
La Llorona

Eva a 16-year-old girl lives with her mother, her younger sister and their cat, but wants to move in with her estranged father. Clinging onto him, she tries to balance between the tenderness and sensitivity of teenage life.
I Have Electric Dreams

In a timeless México where women are disappearing, a girl helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play.
Buy Me a Gun
Faced with the end of her life, a 70-year-old woman is determined to make the most of the time she has left, by growing closer to her six-year-old granddaughter. However, an unforeseen threat puts everything she holds dear at risk, leaving her to confront how far she’s truly willing to go.
Love Is the Monster

A prejudiced Franco-Peruvian woman opens a restaurant after her husband leaves her for another woman. Through it, she falls in love with the gastronomic and cultural diversity of Peru during the prosperous but troubled Lima of 1965.
Mistura

After years studying in Europe, Elsa returns to Costa Rica to reunite with her family. She finds her younger sister living alone in the family home, growing increasingly distant and reclusive, as if slipping into a world of her own. Their parents, meanwhile, are absorbed in their own lives. Her father drifts through a series of affairs, while her mother is immersed in republishing the erotic poems of her youth, neither fully grasping the urgency of the situation. Elsa’s return draws the three women into a confrontation with what still binds them, despite everything.
Forever Your Maternal Animal

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.
Domingo and the Mist

Recently divorced, 72-year-old Violeta lives alone in her childhood house, tending to her lush tropical garden and making plans to turn her property into a boarding house. When she discovers the bank is about to take away her house, she breaks all the rules to hold onto her home and her freedom.
Violeta at Last

A young and dedicated nurse is trying to avoid the pain left by her dear cousin's suicide.
The Sound of Things

After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.
A Trip

Clara is a teenager growing up in a small indigenous community high in the Andes. Her adoptive mother, a midwife who took her in as a baby, has taught her the ancient songs used to guide women through childbirth, melodies passed down for generations, believed to bring new life safely into the world. But while her voice carries on this tradition, her dreams lie elsewhere: she longs to leave the mountains behind and become a folkloric music star in the big city.
The Condor Daughter

After a youth marked by limitations, Vilma (45) has finally achieved the privileged life she always dreamed of. In a beachfront house located in one of Costa Rica’s most exclusive tourist areas, she waits alone for the annual visit of her American partner, who sustains this lifestyle from afar. But this year, he doesn’t show up, cuts off communication, and the money begins to run out. Amid the overwhelming tourist atmosphere, Vilma is forced to face paradise without her “Prince Charming.”
Bye bye, Paraíso

A black comedy about Chalo, a lone security guard who acquires his first gamecock and discovers the bittersweet taste of friendship.
All About the Feathers

Suffocated by debt, JJ, a young white trash woman from the United States, escapes from Los Angeles to Baja California, Mexico, in search of an old lover to save her from her tumultuous existence. She is accompanied by Esmeralda, a 14-year-old Mexican teenager who runs away from home and offers her a tempting sum of money if she agrees to take her to see her father. Always with the threat of being discovered, they embark on an adventure through the desert in which JJ's bad decisions will complicate things more and more; But, along the way, a special relationship will emerge between the two.
The Gigantes

In Panama City, a Colombian immigrant employed as a home health aide, who harbors a secret, develops a touching and unexpected bond with a strong-willed, wealthy businesswoman struggling with encroaching dementia.
Beloved Tropic

No description available.
Los volátiles

Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.
Irene
In September 1992, at the height of the Special Period in Cuba, forty young couples on the verge of marriage participated in the casting selection for director Alice de Andrade’s first documentary Luna de miel (Honeymoon), about wedding rituals in a socialist context. Twentyyears later, she revisits three of these couples to see how the country’s economic and social transformations have impacted their lives. Twenty Years is a fascinating glimpse into the recent history of Cuba through the intimate lives of three divergent couples.
Twenty Years

When Leonel first uses a diaper inside the nursing home, he is confronted with his body's decline. Anita is a nurse and witness to this process. He shuffles between two worlds, imagination and reality, madness and joy, spiritual and material. Leonel finds himself immersed in a place where the greatest hope and the greatest fear is leaving.
Umbral

During a family trip, Luciana has sensations that will transform her world and trigger her curiosity, anger, guilt and fantasy.