Ruthy Pribar

Asia is the single mother of 17-year-old Vika. Vika's deteriorating health urges Asia to finally find her voice as a mother and to embrace and cherish their time together.

After unexpectedly losing her husband, Yehudit has no choice but to start over. In the process, she finds that abrupt and painful detours can lead to bright roads.

Alma, a young director, seeks an actor and actress for a violent key scene which she has written.

Tal finds the mobile phone of her older sister who died 6 months ago. She starts dialing the last numbers on the phone's memory, trying to piece together moments from her sister's last day. When she reaches a man who is sure he's speaking to her sister, she finds herself sinking deeper than expected.

It is the night of the Jewish settlement masquerade party. Fifteen-year-old Samer insists on taking his older sister Ayat to collect her diploma from the Palestinian University. Walking through the city's rooftops and narrow alleys, they must avoid the settlers, and the Israeli army.

Following a short trip to visit his family back in India, Raj returns to Israel and his work as caregiver to an elderly man, only to be greeted by a Filipino woman who seems to have taken over his job. When it becomes clear that the old man prefers a female presence around the house, Raj must find a way to reclaim what he feels is rightfully his. (Leeds International Film Festival 2018).