Julie Fuchs
Acting
Biography
Julie Fuchs (born 24 July 1984) is a French soprano known for her interpretation of light-lyric repertoire. Born in Meaux, France to a father who was a manager, and a mother who was a swimming teacher, Fuchs grew up in Avignon. At age 7, she began violin lessons and started studying music theory and history at the Avignon Conservatory. After singing a variety of repertoire (pop, jazz...), she was selected to be part of a European choir, "Voices of Europe" with whom she toured Europe, and sang with Björk during the recording of "Which was the Son of" by Arvo Pärt. This experience marked a turning point in her young musical life, as she discovered a desire to explore singing. At age 18, she began private classical voice lessons and acting lessons. In 2006, Fuchs entered the Conservatoire of Paris, considered the top conservatory in France. There, she made her first operatic role debuts as Elle in L'amour masqué by Messager and Susanna in Mozart's Le Nozze di Figaro. During her time at the conservatory, she met and developed relationships with artists that she is still working with today, such as the founder of the French contemporary classical music group, Le Balcon, and the pianist Alphonse Cémin. In 2010, she graduated with honours. As soon as she finished her studies, Fuchs made her professional career performing Galatea at the Aix-en-Provence Festival. In 2013, Fuchs joined the opera ensemble at the Zürich Opera where she debuted several roles, including Marzelline in Fidelio, Morgana in Alcina, Susanna in Le nozze di Figaro, and Angelica in Orlando. In 2014, Fuchs signed a recording contract with Deutsche Grammophon; she released her first album Yes! the following year, which paid homage to French repertoire in the 1930s and 1940s. Also in 2015, Fuchs made her debut at the Opéra national de Paris in the role of la Folie in Platée by Rameau. She also made her debut in the Rossini repertoire as the Comtesse Folleville at the Zürich Opera, and sang in the televised concert in celebration of Bastille Day in Paris, under the Eiffel Tower. At the Salzburg Festival that same year, she made her festival debut singing the soprano part in Mozart's Great Mass in C Minor. 2016 marked her debut at the Bavarian State Opera in Munich as Musetta in La bohème. she sang with the BBC Symphony Orchestra at the BBC Proms, and she made her debut at the Chorégies d'Orange, the celebrated festival in the South of France. Her year of debuts continued in Vienna, where she was praised by the press for her debut as Marie in Donizetti's La fille du régiment. In 2017, Fuchs returned to the Opéra national de Paris, creating the role of Esther for the premiere of the opera Trompe-la-mort de Lucas Francesconi, and to sing the role of Nannetta in Verdi's Falstaff. Other highlights included Leïla in Bizet's Les Pêcheurs de perles at the Auditorium du Nouveau Siècle in Lille and at the Théâtre des Champs-Elysées. She also returned to the Aix-en-Provence Festival as Zerlina in Don Giovanni. She also made her debut at the Teatro Real in Madrid as Giunia in Lucio Silla. ... Source: Article "Julie Fuchs" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
Télématin is a French breakfast television news show, broadcast on France 2 since January 7, 1985. It is broadcast in Metropolitan France weekdays from 6:30 to 9:00 am CET. TV5 broadcast the show in Canada in its entirety until September 2011: it now shows a 90 minute version between 6:30 and 8:00 am Eastern Time, when the French original version is now 2h30 long. Télématin is hosted by William Leymergie. The show is daily seen by around 40% of the French morning audience, a very high percentage for French TV. In Metropolitan France, the newscasts are presented at 7:00, 7:30 and 8:00, with newsflashes at 6:30 and 8:50, and two press reviews at 7:20 and 8:30. The 6:30, 7:30 and 8:50 newscasts are usually presented by a female reader and the hourly newscasts by a male. The usual readers are Nathanaël de Rinquesen, Sophie Le Saint, Julien Benedetto, Sophie Gastrain, Patrice Romedenne and Frédéric Vion.
Télématin
Considered by some to be the greatest opera ever written, Don Giovanni was the second product of an incredibly fruitful collaboration between two geniuses: the legendary W.A. Mozart and the talented Italian librettist Lorenzo da Ponte. Based on Molière's Don Juan, the two-act dramma giocoso premiered in October 1787 at Prague's state theater to rave reviews. The 2017 Festival d'Aix-en-Provence brought Mozart's fabulously devious work to the stage once more in a production by stage director Jean-François Sivadie. Starring Philippe Sly (Don Giovanni), Nahuel di Pierro (Leporello), and Eleonora Buratto (Donna Anna), the excellent performance featured the acclaimed maestro Jérémie Rhorer at the head of the period instrument ensemble Le Cercle de l'Harmonie.
Don Giovanni
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Notre-Dame de Paris : La Réouverture - La Grande Soirée
They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?
90s Divas: Whitney, Mariah, Céline
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Le Concert de la Paix
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Ciboulette
Love, power and ambition meet on the stage of the Teatre de Liceu in Barcelona with L'Incoronazione di Poppea by Monteverdi directed by Jordi Savall and directed by Calixto Bieito.
L'Incoronazione di Poppea
An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.
Francesconi: Trompe-la-Mort
In search of an opera for his theatre, an impresario finds himself grappling with a group of egotists and jealous individuals. Based on a score by Florian Leopold Gassmann, this caustic satire of the 18th-century opera world is directed by Laurent Pelly. Starring Julie Fuchs as the prima donna.
"L'Opera Seria" @ Teatro alla Scala Milan
For the 13th edition of the Concert de Paris, at the foot of the Eiffel Tower, the Orchestre national de France, the Choeur and Maîtrise de Radio France, conducted by Cristian Măcelaru, along with leading international soloists, will perform a program with a Brazilian flavor, in celebration of the Brazil-France 2025 season.
Le Concert de Paris 2025
Clément Cogitore adapts a short ballet excerpt from Jean-Philippe Rameau's Les Indes galantes, with the help of a group of Krump dancers and three choreographers on the 3rd Stage of the Paris Opera: Bintou Dembele, Igor Caruge, and Brahim Rachiki. Krump is a dance style that originated in the ghettos of Los Angeles in the 1990s. It emerged as a result of the riots and brutal police repression that followed the beating of Rodney King.
Les Indes galantes
Jean-Philippe Rameau’s Platée is a masterpiece of the French operatic repertoire and was highly regarded by critics during the composer’s lifetime. Composed for the marriage of the Dauphin Louis, son of Louis XV, to the Infanta Maria Teresa of Spain, it was first performed at Versailles in 1745 and became an instant hit. The plot revolves around the ugly and conceited frog Platée, the victim of a machination of the gods who make her believe that she is loved by Jupiter. Is this Rameau mocking Princess Maria Teresa of Spain – reputedly a woman of little beauty? Or the French court, which saw itself as a new Olympus? This classic production from the Opéra national de Paris by Marc Minkowski and Laurent Pelly returns to the stage with an entirely new cast, featuring Julie Fuchs, Mathias Vidal, Jean Teitgen and Lawrence Brownlee in the title-role.
Platée (Palais Garnier)
co-production with the Teatro Real (Madrid).
The Marriage of Figaro - Aix-en-Provence Festival
In Amsterdam, conductor Emmanuelle Haïm and director Calixto Bieito take on Handel’s famous Giulio Cesare.
Georg Friedrich Handel: Giulio Cesare At the Dutch National Opera
Rossinis penultimate opera, premiered in 1828 at the Opéra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Opéra Comique its plot is transported to the time of the works creation with Frances military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalydès and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langrée leads the Orchestre des Champs-Élysées, the Chur Les éléments and a stellar cast of soloists in this delightful fools game. Mezzo-soprano Gaëlle Arquez shines with her superlative technique (Le Monde) and Julie Fuchss Adèle performance elicits more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine (Le Monde). A masterpiece! (Télérama), Pure pleasure! (Les Échos). Le Comte Ory at the Opéra Comique is a true musical and theatrical celebration where everything sparkles! (Bachtrack)
Rossini: Le Comte Ory
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Charles Gounod: Roméo et Juliette - Opernhaus Zürich
At the Vienna Konzerthaus, the magical Christmas gala brings together Julie Fuchs and Ludovic Tézier to perform traditional carols. The programme includes Adolphe Adam's ‘Minuit chrétien’, ‘Les anges dans nos campagnes’ and ‘Entre le boeuf et l'âne gris’, followed by “Hallelujah” from Handel's ‘Messiah’.