Yves Zlotnicka

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

A breathtaking trip down Earth's longest river reveals its fabled past and complex, challenging present. Wild hippopotami, the mysteries of the deadly tsetse fly, the ancient Dinka and Shilluk African tribes and the Sudd- a swamp as large as England - are among the natural wonders encountered along the trek from Uganda to Khartoum to Egypt, before concluding at the manmade wonders of the Nile, the Jonglei Canal and the Aswan High Dam.

When a plague breaks out in Hamburg, several people break out of quarantine and make their way out of the city... only to find that the plague is more widespread.

Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.

In this romantic farce, former opera-singer and current music festival organizer Hermance (Judith Magre) is married to Charles-Henry (Jean Roquel). However, she still has a passion for her former lover Simon (Carlo Brandt), but he has a thing for Francoise (Sabine Haudepin). Meanwhile, Nathalie (Tonie Marshall) keeps trying to put the moves on Hippolyte (Jacques Bonnafe), who is either unaware of or is ignoring her efforts, while her lackluster former lover Christian (Michel Gauthier) looks on and stays out of the whole mess. Who comes out the worst in this deal? Naturally enough, it's Christian, the fellow who has, for good or ill, kept the most distance from it, when Hermance, who seems jealous of everyone, tries to get even with Simon for running off with Francoise. Don't worry, it's supposed to be confusing.

Gérald, former champion of motorcycle competitions, after an accident that causes him to lose the use of his right becomes a trainer for young riders. But because he can not make enough money, he takes part in a burglary.

An amateur choir in the 13th arrondissement in Paris. Once a week, 30 children, 20 teenagers and 50 adults meet to rehearse and sing together under the direction of Claire Marchand, choir director. There are moments of joy, discouragement, shared pleasure and music. From the first auditions to the final concert, the film listens and watches this community at work.

No description available.

Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

During a 9-month trip, the Cousteau team will explore the longest river on the planet: the Nile. It flows north to the Mediterranean, crosses half a continent and over 7000 years of history. On its shores, civilizations have built marvels of architecture. Kingdoms rose and then fell, each person's destiny still intimately linked to that of the river... without anyone having mastered it. The Calypso team studies life around the Nile, which has remained almost unchanged since the time of the pharaohs.

A documentary by Marie-Claude Treilhou.

Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.

No description available.

In a supermarket parking lot, two shoppers push a shopping cart to their car. A helpful man approaches them. Friendly at first, his behavior soon becomes strange, invasive and aggressive.

césar nomination 1977

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.