Juliana Antunes

Maria de Déa, Lampião's companion and first woman in the Cangaço, is a fearless young woman who dares to have a voice in a group of outlaws. In a life of escapes and armed disputes, Maria faces a pregnancy and is subdued to the harshest law of the Cangaço: handing over her baby to be raised by someone else. She begins to live between life in the group and the hopeless desire to raise her daughter.

A star goalkeeper threatens a woman who is pregnant with his child. Her pleas for help go unanswered in the shadow of his fame — then tragedy strikes.

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

The everyday life of a Belo Horizonte lower class neighborhood.

The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.

Set shortly after former President Dilma Rousseff’s impeachment, Control Plan follows a young Brazilian woman who uses her cell phone’s teleportation service to flee the country.

No description available.

Marina is a young woman in Belo Horizonte who makes deliveries on her bike.

No description available.