Elsa Boutault-Caradec

In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

At her grandmother's funeral, Charlie learns that she already has a place reserved in the family vault. In search of an escape, she herself delivers the crate of disco vinyls her grandmother left to the wine merchant in a village in the south of France. In the deserted seaside resort, the records bring back bitter memories of lost loves. Here, time has a different value, and people are more bored than busy. Charlie only has eyes for Marina, the waitress at the pizzeria. Nothing predestined clumsy, overly sincere Charlie and wounded tornado Marina to mend fences together. But sometimes destiny reunites lost mermaids.

Alone in his house, Leo, 12 years old, does not want to go to summer camp. When it is close to the time of departure, a disturbing presence prowls around, imitating his voice.

Two soldiers, Daniel and Jerome, flee a war we don’t see and we know nothing about. Jerome is badly injured, he will die, he says it, he knows it, he is afraid. Then Jerome confesses to Daniel his last will: he does not want to die a virgin, he wants to die loved…

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Today is a day like any other for Kalthoum and her girlfriends. They sip cocktails, look for sex on the Internet, impatiently wait for love and once again, endure the transphobic insults of strangers. But today it’s not going to be like that: the four transgender friends will imagine their revenge.

During his acceptance speech for a lifetime achievement award, Nicolas Chauvin – a farmer-soldier, a veteran of the Revolutionary Army and the Napoleonic Wars, “father” of the chauvinism that bears his name – embarks on a monologue and recounts his life story. At the bend of a road, a spectral encounter shocks his (non-)existence.

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