Cris Larin

The encounter between a young nanny and a lonely child serves as the starting point for a show about affection, companionship, human relationships, and the diverse forms of motherhood.

A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.

One place, in two eras: in 2020, three heirs of an abandoned property decide to recover it. In 1985, the property was the scene of passions, episodes of violence and solidarity adventures.

Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

A family invites the office staff over for dinner, but the housekeeper, Dada, doesn't show up. They have to serve the guests, without even knowing where the wine opener is in their own kitchen.

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