
Fadila Benmoussa
Acting
Biography
Fadila Benmoussa is a Moroccan actress, born in Marrakesh in 1959. She started with the amateur theater in 1977, and moved to professionalism in 1981. Ever since that time she has become a familiar face to Moroccan viewers, especially with her "Marrakesh accent" that distinguishes her. She spent more than seven years with the Marrakech El-Wafa Ensemble, where she participated in several plays. Among her works are: The Clandestine (2010), Reserved Travel (2018) and Comfort and Tourism (2010).
Known For

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Rihlat Al Omr

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.
Hideous Kinky

Larbi sells sandwiches in his mobile cart and wants to develop himself, while his younger brother Abbas is unemployed. Their lives change when Abbas discovers a secret cooking recipe that will be the origin of their fortune, but the cost of success will come at the expense of their relationship.
Moul Lmlih

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خو خواتاتو

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جيب داركم

"Saïda" escapes her family in search of a better life and improved social circumstances. In pursuit of her dream of fame and artistic success, she becomes involved with "Nour," the owner of a nightclub who exploits her by making her perform for the club's customers. Despite her attempts to distance herself, her family and brothers—who lead lives of deviance—continue to relentlessly pursue and extort her. In an effort to exact revenge on Nour, Saïda teams up with her friend "Maryam," who works at the office of the famous lawyer "Omar." Together, they become embroiled in a crime that dramatically shifts the balance of power and consequences for everyone involved.
Oulad Al Hlal

A man convinces his brother-in-law to marry a foreign womanl to facilitate his obtainment of foreign nationality and improve their living conditions, but an unpleasant surprise awaits the brothers as the girl's scheme gradually unfolds.
Comfort and Tourism

Abdou is tricked into an experiment by American researchers and is suddenly propelled into a distant civilization, that of the Almohad dynasty who ruled the great Maghreb and Muslim Spain from 1147 to 1269 during the reign of Yaqub Al Mansour.
Abdou With The Almohades

Farid lives with his mother in the medina. Still a bachelor, he draws a modest income by extorting vendors and small shop-owners by impersonating a policeman. Every day, he dons the uniform, a fake gun and handcuffs, puts on a show, and does the rounds – blissfully unaware that the real police force has him under surveillance, suspecting he might be a member of the criminal underground. Officer Bouchra is sent in, her mission to get close to him and gather information first-hand. Driss Mrini’s uproarious comedy had a successful run at the box office, and showcases the talent of a host of Moroccan film stars..
Lahnech

Salah is a young delinquent who finds himself forced by a band of criminals who kidnapped his mother to carry out a dangerous transaction and transport a shipment of drugs from Marrakech to Tangier.
الحماله

"Al Ikhwan" is a social comedy that tells the story of 3 friends (Zreka, Charo, and Abdelssadek), from a slum in Casablanca, who consider themselves brothers. Each of them has their story, their concerns, their problems, but they all share the same thing: failure in their lives marked by poverty, unemployment and marginalization... By seeking to create a buzz at through a video shot by the 3 young people, they were polarized and manipulated because of their naivety and carelessness and thus found themselves pursued by a search warrant against them throughout the national territory. .
The Brothers

Souadia's monotonous life changes after an encounter with a police officer (Amin) next to an orange tree
The Bitter Orange

Lotfi, a census enumerator (counting demographics) or at least that's what he claims. Visits a neighborhood full of nutcases to interview and "count" them but everything quickly turns into a huge mess in a hilarious comedic frame full of twists about the Moroccan society..
Moul Ihsae

Fadma is an active Moroccan woman, a mother who, after the death of her husband, raised her two children alone: Ahmed is her pride and joy, having succeeded in France, and Karim is the eccentric artist who still lives with her. Sensing danger around her son Ahmed, she decides to visit him in France. And it's here that she discovers the problem of her granddaughter Julie-Aïcha, a teenager in search of her identity. Fadma and Julie-Aïcha discover a new shared passion.
La Main de Fadma

Suddenly, Omar a worn-out garment salesman, finds himself among the rich of the ancient city of Marrakech, finds himself among the rich of the ancient city of Marrakech, after he found a large sum of money in a pile of clothes, He decides to change his life, wearing a modern suit, and starts illegitimate with another girl, hoping to enjoy the happiness and tenderness that he missed during his marriage of Latifa.
El Makroum

Idris lives with his mother in an antique house in Marrakech; Idris is the only son of his mother who cares for him a lot, especially after the death of the father. Idris usually does not dare to take any step without the approval of his mother, who is working hard to marry her son through the traditional method, after completing forty years as a celibate, the mother tries to find the right girl to be the wife of her spoiled son
His Mother's Son

Michel, a French national, lives in the Riad adjoining the house of Boujemâa and turns it into a guest house. The noise resulting from the tourist activities and songs of the rooster poisons the relations between the two neighbors.
Al Farrouj
A Moroccan citizen named Mansour emigrated abroad for more than twenty-five years during which he left his wife carrying a daughter, suffering after that from the torment of conscience to leave his daughter, so he decides to return to his country and compensate his daughter for depriving her, without knowing his truth
Mansour returns

The film was inspired by the life of football player Larbi Benbarek.
Larbi

Maati, owner of a hearse, is charged by the family of the deceased to transport the body of their relative from Marrakech to Tetouan for his burial following his will. Accompanied by his pregnant wife, the couple will face tragi-comical events and conflicting situations during their journey where they realize the greed and egoism of the family of the deceased whose only purpose is to sharing the inheritance ...