
Carla Simón
Directing
Biography
Carla Simón Pipó is a Spanish film director and screenwriter. Most known for her films Summer 1993 (2017), Alcarràs (2022) and Romería (2025). In 2022 she won the Berlinale Golden Bear for Alcarràs.
Known For

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30 minuts

With her mother's diary in hand, Marina's search for official documents for university leads her to her biological family on the Atlantic coast. What starts as an administrative quest reveals long-buried family secrets.
Romería

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Al cotxe!

In a small village in Catalonia, the peach farmers of the Solé family spend every summer together picking fruit from their orchard. But when plans arise to install solar panels and cut down trees, the members of this tight-knit group suddenly face eviction – and the loss of far more than their home.
Alcarràs

After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.
Summer 1993

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A Vocabulary for the Future

Alex, a young actress, is sexually assaulted at a New Year’s Eve party at a friend’s house. That night, she never manages to see the face of her aggressor, a fact that will end up eating away at her. Throughout the following year, she will have to face feelings of guilt, disgust and shame. While Alex tries to channel all her pain through theatre, where she takes on the role of the famously vengeful Medea, her brother, Adrian, must face the guilt he feels at not having been able to protect his sister and his impulse to let himself be carried away by his own decisions. What were once the typical conflicts you might expect between any siblings, give way to much more extreme and complex emotions.
Fury

A unique project that will mix different disciplines to create an exceptional fusion between the performing and audiovisual arts.
Escenario 0

A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.
L'étranger
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Backstage

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FLAMENCO

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.
Letter to My Mother for My Son

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Carla Simón. El poder femení al cinema

Sophia and Oliver are two little siblings who enjoy playing at their grandma's place while she sleeps. However, their games get interrupted when Oliver realizes that grandma is not moving anymore. Sophia and Oliver encounter death for the first time and have to deal with it on their own.
Lipstick

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Correspondence

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.
Strade perdute - Filmmaker 23

Anita is the story of a complex and interdependent relationship between a mother and daughter. They have difficulties living together and have never been able to express their love for each other. Joana has dwarfism, and Maria, a beautiful, elegant and sophisticated woman, has never accepted her daughter's condition. The silenced taboos between the two women will echo more than ever when they get the house ready for Juan's visit, the son and brother who lives far away.
Las pequeñas cosas

A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.
Home

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Els meus fills

Edu is dancing in a bar when Alex comes looking for him. He has some news that will have a profound effect on Edu.