Jan Röed

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

The Hotel is the last part of a trilogy about travelling. The first two were The Atlantic (Atlanten, 1995) and The Lighthouse (Fyren, 2000). The hotel is a different kind of home. It can be a refuge, cul-de-sac, castle, nightmare, creative space...The first hotel was created as protection against the elements. Weary travellers could find shelter and rest. But it was also a place for legends and anecdotes.

Tokyo. A metropolis filled with sound, movement and culture. Through interviews with some of Tokyo's inhabitants, such as world-renowned photographer Nobuyoshi Araki, game designer Shono, musician Mayuko Hino and others.

A documentary about the islands in the Atlantic, about the islanders and their stories.

Lucky People Center International takes us on a journey around the world through human souls. Music's rhythms and the film's pulsing form reminiscent of the music video aesthetics and gives the documentary a new face. The film traveled around the world for two years to find people and lifestyles that reflect the world before 2000.

The untold story of one of the oldest music cultures in Europe. The story also sheds light on the dark streak of oppression and denunciation of yoik, contrasting it with the joy, humor and affection about nature, animals and persons expressed through the yoik. This film aims to show how Sámi people found their own musical path.

A Swedish crew trekked into the depths of the endangered Bornean rainforest to film this poetic documentary about the plight of the Penans and their most unusual ally, Bruno Manser - a young Swiss who has rejected 'civilization' to join the tribe and help fight international logging.

Journalist Björn Cederberg travels to Berlin, Jena, Weimar and Rome to meet his old friend, the cultural worker Sascha Anderson. He got to know Anderson in 1983 in the GDR, where he was a central figure among opposition writers and artists in East Berlin's Prenzlauer Berg. Cederberg has a hard time believing that it is true that the media reports, namely that for 20 years Anderson has been an informant to Stasi, the East German authority that spied on its own citizens.

Silence Records is a record label run by the sound engineer Anders Lind together with Eva Wilke and later also Nikolaj Steenstrup. For decades, the company has provided us with innovative, intrinsic and magical music.

A depiction of some of the most interesting lighthouses around the world.

Bruno Manser the main character of our film where in the end of November 2000, two months after we finished our film reported missing in the jungle - most probably he has been killed. This film is a follow up of a film also made by Charon film in 1989 called Tong Tana - A journey to the heart of Borneo. The first film was about one of the greatest ecological catastrophes of our time, the destruction of the world’s oldest rainforest. It was also a film about one of the last nomadic tribes on earth, the Penans who have lived in the same way for thousands of years. A Swiss, Bruno Manser was living with them. At the time, he had been in the jungle for six years.

About Jean Claude Gauthier, a man who had lived 24 of his 49 years in prison and on the streets of Paris. In early 2000 Jean Claude met Swedish filmmaker and cinematographer Adam Nilsson, over time they became close friends and gradually Jean Claude began to talk about the parts his life which he couldn't forget, of his wife, his children, his marriage, his job as a model and florist, the bank robberies, the prison sentences and the feeling of losing everything that you love.

The Polish government issued a burial fund to the relatives of any deceased citizen. Now the undertakers of Lodz in Poland have figured out a way to lay their greedy hands on those funds. By paying ambulance drivers to get the information where the unfortunate relatives live, they went there with contracts to get the relatives to sign over the burial funds to the undertakers. The idea was that while the relatives was still struck with grief and sorrow, they wouldn't want to read through a thick contract and just sign it instead. Things really went ugly when the ambulance drivers figured out that they would make more money if more people died.