Editing
Maurice Li (李明文) is a Hong Kong editor and director.
Two women are bound for the same plane, one of whom makes the flight while the other does not. In a cruel twist of fate, the plane crashes, killing everyone on board, and leaving the friends and family of the two women to talk about what was and what could have been.
A Japanese man and a gay bar-owner in Hong Kong drink beer as they talk about their childhood and experiences.
Two men from different generations might be a father and a son, brothers, friends… even lovers or enemies. They encounter each other in a parallel universe. The battle between your past and future might be inevitable. What should happen, must happen…
Three friends begin a contest to find Karen, a particular girl they all like. The limits: one month, and no advertising or radio. The prize: the losers withdraw and the winner gets free reign to woo her.
Restaurant supervisor Jill (Karena Lam) has a handsome boyfriend Chi On (Wu Bing), but she is just his backup girlfriend. She knows she is the other girl, but her hope for being his one and only has never ceased until he changes his formal girlfriend once again. All her anger goes to her co-worker Jack (Ekin Cheng), who appears to be a womanizer but indeed shares a similar unfortunate romantic situation of being the backup boyfriend of an airhostess. Knowing that both are victims in romantic relationships, Jack and Jill no longer spar with each other and a liking between them start to develop
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
A personal memoir reflecting upon director Stanley Kwan's career and identity, set upon the backdrop of the 1997 handover of Hong Kong. Kwan adopts a complicated cinematic structure which includes excerpts from his previous films, his '97 stage play, and the soundtrack to Wong Kar-wai's "Days of Being Wild."
