Benjamin Wigley

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.

A look at the array of mysterious, quirky objects received by fashion designer Paul Smith and the effect they have had on his life.

Can one footprint imprint on our collective consciousness and create change? A walk; a pilgrimage, an odyssey…for the planet.

A true story about the art of love and death. A thought provoking and cinematic documentary film rooted in the universal themes of love, death and legacy set against one of the most beautiful art-forms in the world – Ghana’s very own fantasy coffin.

Beneath the polished floors of a contemporary art gallery, a new form of life is awakening, gradually transforming the urban space into a living, symbiotic system connecting humans with the realm of plants and bacteria. This speculative docufiction, shot on 16 mm film in response to the We the Bacteria exhibition at the Milan Triennale, imagines an alternative future for architecture told from the perspective of non-human actors. It explores the thorny structure of experimental architect Rachel Armstrong's SPIKA installation, which functions both as a fortress and an ecosystem, and outlines the possibility of urban buildings transformed into metabolic nodes of a new community.