Begoña Vicario

Inés sets out on a voyage of discovery around India in search of Ladyland, the Utopian land of women.

Abstract images in which the rhythm of movement is fundamental and express relationships of attraction and rejection.

At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

A Goya award-winning short animated feature about people forced to sell their bodily organs to survive.

The definitive documentary that reviews the enormous career of Esther Ferrer, one of the great Spanish creators in the performance genre. A "hybrid" between the documentary and the discipline of performance itself, between recording and creation, which uses elements and techniques typical of the cinematographic genre on which animation and self-created elements are superimposed.

When talking about missing people we are talking about a virtual death, with no body. But we need to see the corpse of those people to whom we want to bid farewell so as to be able to do it.

This reinterpretation of the famous scene where Tarzan and Jane swim together in the film 'Tarzan and His Mate' (Cedric Gibbons, 1934) fashions a new paradigm out of movement, rhythm and colour.

The Basque word hezurbeltzak does not appear in dictionaries. It is a non-existing word used to describe socially invisible groups. Its literal translation would be "black bones".

On a restless monochromatic palette, a woman experiences the psychological damage of a visit from the police.