Svetlana Zhgun

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A story of Victor, a young man who is working in a big mine as driver.

Based on short stories by Vasiliy Shukshin. About the life and people of the modern Soviet village. Old Yermolai lived all his life in one village. He has four sons, each with their own problems. The youngest foolishly ended up in jail and, three months before his release, greatly missing his family, escaped.

Three Soviet prisoners of war escape from a fascist concentration camp at the end of the war. One of the guards helps them and runs with them. Many years later, this former German henchman meets one of the escapees and comes up with the idea of ​​\u200b\u200bthe destruction of all the fugitives with whom he once escaped from a concentration camp; they abandoned him wounded during the escape. He begins to put his cruel plan into action, deciding to take revenge and thereby getting rid of witnesses to his crimes in the concentration camp...

Six-graders Tosha and Kostya are trying to deliver the WWII telegram they accidentally find.

Doctor Vera Pavlovna Zanemonets has recently been working at the Genetics Research Institute and is thinking about her dissertation. Her life is quite prosperous: her favorite job, family. One day, on an urgent call, Vera goes to her sister, who lives in the village and needs urgent surgery after an accident. But there is no surgeon in the village hospital, and Vera decides to urgently operate on her sister.

The action takes place during the Great Patriotic War. Peasant Matryona Bystrova loses her husband at the front, then her eldest son goes missing. Matryona decides to save the youngest son at all costs and shelters him from being drafted into the army in the attic of the house until the end of the war. But it turns out that saving her son, she condemns him to spiritual death, and herself to torment of conscience. A private story about the mother of a deserter grows to epic proportions...

A drama based on Boris Lavrenev's play "The Rift", telling about the participation of Baltic Fleet sailors in the Bolshevik coup of 1917.

Having lived for his pleasure most of his life, floor polisher Ivan Karetnikov, on the threshold of his 60th birthday, did not for the first time leave his next wife himself, but she abandoned him, moreover, in public. In addition to these troubles, he was fired from his job, replaced by a mechanical polisher. In this difficult moment, Karetnikov remembered the first wife, and then the second and third. But turning to each of them, he seems to begin to lose hope of seeing compassion for himself.

The beginning of the 30s of the last century. A leak of classified information was found at the Soviet shipbuilding plant. Arriving under the guise of a scientist, the legendary chekist Karotin begins to unravel the threads of the conspiracy of the fascist spy organization. He is helped by inexperienced but active local detectives. Mastering the basics of the counterintelligence, they fall into a situation the other one funnier.

Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.

Kolya Kasatkin, who saw in his wife Tanyusha the ideal of female charm, tenderness, kindness, who loved her to the point of oblivion, was at a loss before the idle conversations of well-wishers about his wife's betrayal. Having found his wife with the choir director, Nikolai demanded a divorce. Continuing to love each other, the former spouses are unhappy in separation. Kasatkin's new hasty marriage did not return his peace of mind. In daily agony, in the pursuit of a past life, he also lost his old dream — to live and work in the Far East, where he served in the army. Both realized too late that love does not forgive hasty decisions, that it must be able to keep and protect.

The end of the civil war. A sailor Alexey Zvorykin is appointed Director of the automobile plant. After training in America at Ford he finishes release of the first Soviet lorry and personally takes part in the international motor rally in Sands of Kara-Kuma which is won by our car.

A young engineer named Zotov has been appointed head of the 406th picket line at the construction of a railway line in the taiga. The construction workers huddled in a smoky, dark dugout did not welcome the new foreman very cordially: not everyone can do hard work and household disorder. But the day came when the builders occupied the house they had built themselves, and Zotov had a double holiday — the bride arrived. And again it's weekdays, and again the cold barracks is full — a new batch of builders has arrived.

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

A love story during wartime.

The childhood of three friends, Ilya, Yacob, and Pavel, was spent in the innkeeper's house. Their three destinies are similarly unhappy. Yakob died of tuberculosis, Ilya, after robbing a merchant, committed suicide. And Pavel, who let the woman he loved join a brothel, can no longer be happy.

A story about Soviet women and their village set during the years after WWII.

Young family is spending vacations in the summer house.

A teenage boy growing up in a village without a father spends a few days cutting grass in a remote location. In the process he learns about friendship and responsibility.