Michael Keegan-Dolan

A passionately committed young dancer is forced to re-examine his career and life when faced with death, finding hope through an older man who becomes his lover, mentor and companion.

Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

The English National Opera first mounted David Alden's production of Ariodante, one of Handel's greatest masterpieces, in 1993. It met with unanimous critical and popular acclaim, and this 1996 revival features many of the leading singers from the original production. Ariodante is Handel's 1735 setting of an episode from Ariosto, in which the King of Scotland's daughter is treacherously accused of infidelity to her promised husband. The range of feelings provoked as the characters develop is caught in music of quite extraordinary emotional power, even by Handel's own exalted standards.

Thrillingly documenting the creation of a new dance show by Michael Keegan-Dolan, acclaimed Irish filmmaker Pat Collins reveals a work that is expressive and exhilarating.