Jacob Burckhardt
Directing
Known For

An ironic New York City thriller involving a mafioso and a restless, witty lawyer.
It Don't Pay to Be an Honest Citizen

SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)
SSS
A 1940s campy film noir sex romp comedy thriller. Harlem, Chinatown, Park Ave. It’s the same old story. Boy meets girl, boy gets dead, girl gets rich. Real rich. With Bill Rice, George Kuchar, James Tigger! Ferguson, Armen Ra, Mimi Gross, Megan Pearson, Mariana Newhard, Kimberly Lewis, Meghan Love, Jenny Weaver, Amalia Rosa, and Royston Scott. Music by Marc Ribot and Brett Flute. — Anthology Film Archives
Tomorrow Always Comes

I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship with his Jewish family. From graphic, erotic massages to a revealing interview with his grandmother, Roth tells a unique tale and explores themes of sexual wellness, connection and self-realization. Featuring guest appearances by German filmmaker Rosa von Praunheim and sexologist/performer Annie Sprinkle.
I Was a Jewish Sex Worker

A sightseeing portrait of New York, with lively narration taking the viewer aboard the New York elevated and subway trains. Then the view from the windows becomes slightly abstracted, the voice of the commentator becomes uncertain. Featuring Joseph Cotten (credited 'Cotton') Virginia Nicholson Welles, John Becker and Edwin Denby.
Seeing the World: Part One - A Visit to New York, N.Y.
Cuckolded king Louis the Fourteenth Street vows vengeance on his murderous second wife Mary Antionette. A beautiful princess imprisoned in a dungeon, a lusty wet nurse, a charming Greenish Blonde Prince, a bleeding royal ghost, and a voracious guillotine round out the cast of this experimental, color-saturated, digital, scary fairy tale of a featurette.
Louis the Fourteenth Street
Shot at the Everson Museum, Syracuse, NY and Fishbach Gallery, New York City. The dancers talk about spinning as a dance form.
Syracuse Sequence
A spy being interrogated by a superior can only guess at the mission, priorities and agenda behind the encounter.
Duet for Spies
A short contemplation on late autumn in Maine, mortality, windmills, and the music of Indian painter and musician Mohan Samant. Shot in Lincolnville, Maine, at Neil Welliver’s place.
Windmill for Polly

A film-dance, shot on 16mm film in Long Island City, Queens, NY.
Rubble Dance

Short film.
The Monkey and the Engineer

A greedy landlord wants to evict a bicycle shop from his property and replace it with a high-rent-paying art gallery. The environment-conscious owner of the bike shop outwits the avaricious landlord in a high-speed bike chase.
Landlord Blues
A film by Jacob Burckhardt
Black and White
2013, 5 min, digital. With music by Marc Ribot.
3 Days of Hurricane Sandy
A short film by the painter Yvonne Jacquette.
Sunline
1988-2020, 11 min, 16mm-to-digital.
Unsafe for More Than 25 Men

The crumbling beauty of a soon-to-be-demolished, impoverished Red Hook neighborhood in the mid-1970s is revealed to us moment by moment, structure by forgotten structure. The circuslike brass music suggests a public face of “a city in progress” while the addicts, thieves, and other lonely people are shown to us as the human cost: those who will be left out of that development.
Condemned

"Hold On I'm Coming" Sung by Mr. Mahogany Plywood, Starring Mr. Fashion, Miss Kimberly Lewis, Miss Quiana, and Mr. Royston Scott. Costumes by Miss Mahogany Plywood. Executive producer Mr. Gérard Little. Camera and Editing by Mr. Jacob Burckhardt. Shot on the streets of New York and Tortilla Flats.
Hold On, I'm Coming
When honor howls no sylph can resist
Cellar Sorcery
2014-19, 8 min, digital.