Laurynas Bareiša

A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.

Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.

Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy.

Sisters Ernesta and Justė, along with their husbands Lukas and Tomas, gather at their parents’ summer house. It’s been a while since they’ve all been together and the children are delighted to be spending the last warm days by the lake. But an intense weekend soon unravels, thrusting both families into a radically altered reality where time is limited and emotional issues must be solved amidst growing heartache.

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.

Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.

It’s a real challenge to get into the girls dormitory. You have to be careful, you have to be silent, nobody can notice you. Ben and Vega are sixteen years old. Ben and Vega are in love. Ben comes to Vega. Vega is waiting for Ben. You know the rest.

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

End of summer. Danielius (in mid 30s) makes a return to his hometown to sell his parents' flat. Having nowhere to rush, he reconnects with people and the town that's no longer his. He is confronted with a quiet sense of loneliness.

This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.

A camel dies in the local zoo. Paulius and Indre – two caretakers discover it and try to dispose of the dead animal. But it turns out to be a much harder task than they imagined.

Two friends wander around a Soviet-era neighbourhood in the outskirts of Vilnius. An airport is going to be built here soon, and the place where they grew up will cease to exist. This thoughtful, post-dramatic film shot by director and cinematographer Vytautas Katkus is an inquiry into the psychogeography of post-Soviet Lithuania.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.

Tekle and her young daughter, Ema, return from abroad to visit Dalia, Tekle’s mother. When Ema goes out to walk her dog, Dalia, fearing something terrible might happen to her granddaughter, starts looking for her.

Ieva and Kasparas, sister and brother, are locked out of their home. Their mother has shut the door from the inside and is out of reach. The older sister Dovilė is their last hope, but even with her being there, there’s nothing they can do, but wait.

Three women – a mother and two daughters – decide to spend the last summer weekend together in a remote village. As soon as they leave the city, one conflict follows another, forcing them to confront themselves and to accept this bond for what it truly is.

Vytas is a resident of a blocked houses quarter and he is just as dull as his neighborhood. Though the young guy is over his twenties, he still lives with his parents - spending their days watching TV. Vytas' girlfriend Ona is a bit different - she is independent, knows her likes and dislikes, has some friends - one of which she starts seeing more and more often. This leaves no sunshine in Vytas life at all and makes him wander for the truth in the maze of the blocked houses quarter.

A group of teenagers rent a house with a sauna for a party. Everybody is having a good time: dancing, singing, drinking, talking. The party ends and everybody leaves, but in the morning the housekeepers come to clean the place and in the dressing room they find a girl who is trying to find the button of her ripped up trousers.