Tereza Brdečková

Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.

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Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.

This documentary-style story tells the story of an aspiring documentary filmmaker who is preparing a film about the history of glassmaking. He is honestly gathering information, slowly getting closer to an unknown and not always accessible environment, to people, whose actions he often doesn't understand because he misses their motivations... Shards for Eva is certainly not a skillfully wrought work, but it certainly impresses with its sense of at least partial capture of everyday reality.

Young Eugene from the provinces travels to Prague in search of fame. Once there he gets an offer to write engagé lyrics for pop songs...

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

A story of an extraordinary artist who has unintentionally signed a deal with a devil. Jiří Trnka was one of the biggest Czech artists of the 20th century and one of the founders of the puppet animation. His work demonstrated the world that communist society can provide better conditions for extraordinary artistic creations. The ideological clash between West and East didn’t leave children and their stories apart from their struggle in ideological and political positions.

Lemonade Joe, The Mysterious Castle in the Carpathians, Dinner for Adele, The and the Golem - These and other Czech cinematography film hits have on thing in common: Jirí Brdecka. The Screenwriter, writer and cartoonist Brdecka was known in Czechoslovakia for his cooperation with Jirí Trnka, Jan Werich or Oldrich Lipský, and became a worldwide famous and respected director of animated films. But who was he in reality? Where did he seek inspiration and where did his rich inner world come from? How did he fight the non-free political regime and manage to show the world his free and timeless creation? Director Miroslav Janek gradually penetrates the interior of one of the most prominent personalities of Czech film and presents to the audience a miraculous world of animated paintings, graphics, oils, watercolors, frescoes and mosaics. On Christmas Eve in 2017, Jirí Brdecka would celebrate his 100th birthday.

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