Richard O. Moore

Follows the Congress of Racial Equality (CORE) from July to August 1963, as they undertake an African American voter registration drive in the town of Plaquemine, Louisiana.

An interview with a young Toni Morrison. The video also shows Toni Morrison going shopping, at a party, and at work. Her commentary provides an incisive look behind her written words, and at the vision, technique, and lifestyle of this award-winning author. She reads from The Bluest Eye, Sula, and Song of Solomon.

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Take This Hammer features KQED's mobile film unit following author and activist James Baldwin in the spring of 1963, as he's driven around San Francisco to meet with members of the local African American community.

This documentary reflects on the lives and aspirations of an African American family - the Johns - who moved to West Oakland from Louisiana, focusing on Robert Lee Johns and his mother Agnes.

Mr. Greene recollects Navajo history through interviews with ancient tribesmen and reports on contemporary conditions, with emphasis on the progress being made at Rough Rock School in contrast with a BIA boarding school in Utah. Rough Rock is the "experimental" institution set up to give the Native Americans direct control of the process by which their children can be educated to function, productively and with a sense of identification, in two totally different worlds.

This episode is a study of the return of the spirit of romance to contemporary poetry, as exemplified by poets Robert Duncan and John Wieners.

A fourteen-minute documentary splitted in two parts where we can see Anne Sexton at her home reading, talking about poetry and about her family.

Alfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s to the present, his own canvases were amongst the most revered of his peers. In 1964 he made 'Pull My Daisy' with the photographer Robert Frank and in 1966 collaborated with the inimitable poet Frank O'Hara on 'The Last Clean Shirt'. Leslie dramatically moved away from abstraction to make giant almost hyper-real portraits, the majority of which were destroyed in the now infamous fire that ripped through his studio and its neighboring blocks on October 17, 1966. This devastating event, that completely destroyed paintings, films and manuscripts, continues to inform his work today.

This episode focuses on Frank O'Hara and Ed Sanders. Assistant Curator of Painting and Sculpture at the Museum of Modern Art in New York, Frank O'Hara belongs, with Kenneth Koch and John Ashbery, to the "New York Poets" group. His work is characterized by acid wit. Ed Sanders is publisher of an underground literary magazine, a pacifist and leader of a rock and roll group known as "The Fugs". Both poets challenge the prevailing prejudices of our society. For Ed Sanders this has already led to some legal difficulties.

Born in 1904, and first published by Ezra Pound in 1927, Louis Zukosky is the poet whose name is associated with the term objectivists. Although never widely known as a poet, his work as well as his writings on poetry have served as an example and exerted an influence over an entire generation of American poets. He has lived most of his life in Brooklyn Heights. He has taught until recently at the Polytechnic Institute in Brooklyn, and earlier at San Francisco State, Colgate, Queens College, and the University of Wisconsin. I was born young into a world that was already very old, says Zukofsky. Words for me are solid, he adds, even though sometimes they liquefy and sometimes they aerify. His readings in this episode range from his first published poem titled, A Poem Beginning The, to his monumental work still in progress, titled simple A, as well as his translations from Cavalcanti and Catullus.

Documentary film about three veterans of the Civil Rights movement who have become peace spokesman for the new opposition activist. It traces their thought and action over the past year, as they see themselves moving from demonstration to political organizing.

A feature length film from acclaimed dance choreographer Merce Cunningham.