Dave Grant
Acting
Known For

Stingers brings to light the life and work of an undercover police unit located in Melbourne. This dangerous work requires complete dedication, one slip can cost an operative their life.
Stingers

Russians will survive everywhere. And in the desert, and at the bottom of the sea, and in America. They will learn everything and they can teach the Americans a lot ... For example, how to catch criminals. Russian investigator Andrei Somov fell in love with an American dancer and moved with her to America for permanent residence. He wanted to work in the police, but he was not hired. Therefore, he has to wash dishes, look after the sick, clean, wash, walk other people's dogs, cook. But his dream of becoming a detective is coming true: he becomes the best detective in Los Angeles. Each episode of the film has its own plot.
Russians in the City of Angels

Teenage Gwen Jones is the modern-day reincarnation of the legendary Queen Guinevere. Her birthright and destiny is to use magic to save the world from evil, but try telling that to a 14 year-old who’s dealing with a new school, new friends and all the usual pressures of teen life.
Guinevere Jones

Eagle & Evans is an episodic Australian sketch show and comedy series that first screened on ABC TV in 2004. The series of eight episodes was set in a fictional variety show The Blaze da Silva Experience. The main characters, Eagle and Evans, are the warm-up act for Blaze da Silva, the self-titled "most loved man on television". The series was created and co-authored by Craig Eagle and Dailan Evans along with staff writers Nicholas Bufalo, Anita Punton, Tal Brott, Mike Flattley and Nick Venus, with contributions by Tim Smith. The script editor was guest star Bob Franklin.
Eagle & Evans
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.