Camera
A pair of lovers spend together a century old while the mode, objects and films are followed in a slow and inexorable descent toward the horror. Their obsession with octagonal knob of the coffee and the anonymous design will accompany them along the passing of decades. Aging and slowly losing his strength, but never the clarity, prefer to exclude the world, obscuring and sealing the shutters of their homes and turning in on themselves, leafing through old encyclopedias of extinct animals.
Never repentant, never a collaborator with justice, but a 'political soldier' as he described himself in an interview with Sergio Zavoli, Vinciguerra remains a solitary cell, who over the years has repudiated right-wing militancy mixed with the state and its democratic system. Not a neo-fascist, but a fascist, determined to serve his entire sentence without seeking any reduction, as a reminder of the interference between the state and black terrorism, Vinciguerra despises all forms of democratic systems and anyone who is part of them.
No description available.
Bianca is a trans sex worker, whose life and work play out in her Milan flat. The camera follows her into her tiny realm: phone calls with clients, philosophy, sex and cigarettes, sing-songs with friends, conversations with her faraway girlfriend.
A young girl is getting ready to welcome a client at her apartment.The man, transposition of Don Quixote, following a precise ritual, devotes himself to the maniacal cleaning of four rooms. The girl, personification of Dulcinea, eats, reads, paints her nails and smokes. She dress up and she get undress as if Don Quixote is not present there and as if there is no relationship between them. The client, following a pathological scheme, steals some girl’s objects, he puts them in a plastic bag and than inside a small briefcase. Sometimes the objects he fetishizes are destroyed like victims of maniacal bursts. This mechanism leads to the repetition of a celibate and solitary rite.
