Stanislav Dorochenkov
Directing
Biography
Stanislav Dorochenkov (born 1981; Moscow) is a Russian experimental artist, filmmaker, theatre director and actor. He studied at the Russian State University and the Peoples' Friendship University of Russia, graduated from the Master's degree at the University of Paris VIII Vincennes-Saint-Denis. In his first films, he explored the boundaries of experimental, documentary and artistic, studied the ways of perceiving a text, a document, from the point of view of rhetoric, image and rhythm. From 2014 to 2021 he worked on the film "Ilyazd". In 2018, he created the play Omnia Vincit Amor at the Lavoir Moderne Theater in Paris based on the abstruse texts of Ilyazd and his own. As an artist-photographer, he exhibits his works in galleries in Germany, France and Japan. Shoots video clips. Author of articles about theater and cinema.
Known For
Joseph Morder begins to film his life with a cell phone and thus begins to realize some life-changing experiences in attempts to discover a new film language
I'd Like to Share Spring with Someone
The bored Faust is haunted by the eternal spirit of doubt, from which it is impossible to free himself.
Scene From Faust
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Feast
Dadaist poet, Russian and cosmopolitan artist, creator and publisher of some of the most beautiful books of the 20th century, Ilia Zdanevitch, aka Iliazd, is a little-known but major figure of modern art. Almost half a century after his death, Ilia, a young Russian agitator, sets out on his trail.
Iliazd
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Life Has Fallen Like a Menagerie
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La fuite du jour
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Ateisti Fulminati
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Homeless Celebrities
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24 Hours of Love
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La petite mort
A Unesco World Heritage Site, Saint Petersburg, which survived a 900-day Nazi siege in World War Two, is today under threat again: over the past several years, Russia's new capitalists have demolished over two hundred historic buildings in the city. Retracing Dimitry Likhachev's eponymous article, the film draws parallels between the Siege of Leningrad and the defense of medieval Russian cities, as described in the chronicles. Returning to the present, it compares today's destroyers of history with foreign invaders.