Rumi Koyama

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

Story of love, jealousy and hatred among waitresses of a deluxe bar.

Kazama and three others defeated Yoshie Sangyo, but the Nishio group was disbanded due to public pressure, and the territory belonged to the Hirata group.

Comedy of a phony doctor.

The ninth installment of ten in Nippon Ichi film series.

The desires and pretensions of woman of the Ginza are depicted.

The film depicts the life of a high school student today, touching on issues of purity, sports, higher education, and employment, through the pursuit of love and sex between a high school senior soccer player and a female student in the same class.

No description available.

A teenage drama film about Makiko Hayashi, a top student who is aiming to get into University of Tokyo, together with a group of other students. She befriends one of the school's misfits, Yoshiyuki Mizuno, which starts to change her life. The film follows the way Makiko Hayashi's life changes throughout the time, from a model student with high ambitions, to someone who is uncertain enough about her future, that she feels the only way out is to start anew.

Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.

No description available.

A con man defrauds a small rural town, sparking an international manhunt.