Acting
Sándor Vedres, a painter, learns that his success is not due to his talent, but to the intervention of his model, the flirtatious Marianne, and flees to the Transylvanian mountains with a disappointed heart and shaken self-confidence. His calm is disturbed by the appearance of Klara, who looks exactly like Marianne. His barely healed wounds are torn open by the encounter, he runs away upset and falls into an abyss. She is found unconscious. Marianne's sister, the noble-hearted Klára, carefully tends to the stricken man, who soon recovers but remains mute. The mute painter discovers pure love alongside the kind-hearted girl, and his paintings of the mountains are rewarded with a prize at the exhibition in the capital. News of his success attracts the old lover, but not the love of Klára and Sándor.
The ancient families of Kont and Hadhazy have long been at war with each other. Lord Cont is a supporter of Vienna's rule, while Hadhazy is a follower of the Hungarian revolutionary Kossuth. Lord plans to fight Hadhazy at an approaching county meeting. Vicky, the beautiful and savvy daughter of Hadhazy's family, just before this, returns home from a Swiss boarding school for young girls, expelled because of her behavior. Vicky, dressed in a man's costume, goes to defend her father and with the honor of a nobleman fights the young scion of a family hostile to her. The young man's name is Feri Kont, and he mistakes the young man's introduction to Vicky for her brother Kalman Hadhazy. The political conflicts between the two families are mitigated by love complications. A misunderstanding at a county ball is brought to light, and the two warring camps are reconciled through the love of Vicky and Feri.
No description available.
András and Rózsi have been engaged for years now, but, given the absence of her certificate of baptism, they cannot get married.
The hero of the story, Gyuszi Ádám, the Jómadár, a lawyer's clerk in Pest, returns home to his parents in Kőhegy, and disrupts the stale, uneventful life of the small town with his mere appearance. He decides to revive his father's dying law firm and marry his 23-year-old sister, who is rapidly approaching the age of the "fair maiden". He successfully carries out his plans, tidies up the office and marries Sárika to their neighbour, with whom she has been hopelessly in love since she was a little girl. But in the meantime, she too falls into the trap of love...
The architect András is at an auction bidding for an old period furniture, an armchair.
After a heart attack, landowner Ferdinand Kerekházy summons his son Ferko Kerekházy from abroad, who, to his conservative father's dismay, sends a wagonload of machines ahead to set up an irrigation system and turn the saline, barely productive fields into fertile ones. The old count doesn't want to hear about his son's plans, and wants Ferko to marry Baroness Zólyomi. Since his son refuses, he disowns him. With persistent work, and the support of the mayor and a young engineer from Pest, the irrigation plan is realized. When the old count, who is always dreaming of grandchildren, realises that his son and the mayor's daughter have fallen in love, he reconciles with Ferko and asks her to marry him.
In a chic hotel in the French mountains, a lonely woman is attracting a lot of attention. And yet Eva is married, and thinks back with sad nostalgia to the first happy years of her marriage. She would like Adam to be a loving, attentive husband again. One rueful evening she decided to take a month's 'holiday' and travel to the mountains of France. But away from her husband, she realises that true love and appreciation are not about compliments, flowers or a night of dancing...
The first Hungarian spy film ripped the mask off those ministerial officials who, having sold out to foreign agents, sabotaged the rebuilding of Hungarian factories and plants destroyed by the war. In the film, spies and saboteurs with wallets full of dollars and pistols in their hands set fire to Hungarian factories. The former ruling class was reluctant to give up its place in life and had to be fought to the death.
