Thomas Jæger

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

A teacher lives a lonely life, all the while struggling over his son’s custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.

Theodor travels to the magical land of Thannanaya to save his grandfather from dying. With him on the trip he gets Simone, who has just started the class.

The thin line between love and hate turns deadly when a wife discovers her husband’s affair — and they both take extreme measures to get what they want.

A fashion designer suffers from a mysterious illness that puzzles her doctors and frustrates her husband until help arrives in the form of a Filipino caregiver who uses traditional folk healing to reveal a horrifying truth.

Karlskov is a self made, successful owner of a large electronics factory, has a wife and five children. They live the good, privileged upper-class life on Strandvejen north of Copenhagen when the Nazis occupy Denmark in April 1940. Karl struggles to continue production at the factory, but to protect his family and employees he reluctantly begins to produce for the German market. It brings him into a controversial collaboration with the occupying power and causes painful breaks in the family.

Set in the blooming 1960s, the film centres on two young brothers who are instantly robbed of their lives when they are placed in a boy's home forgotten by time. Armed only with a vivid imagination and a fickle hope, the boys engage in the frightening battle against Headmaster Heck and his lethal tyranny. The film is based on actual events.

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.

A grief-stricken dysfunctional family goes camping.

This Danish movie "Out of The Darkness" ( in Danish 'De Forbandede år 2' ) is a continuation of the popular WW II drama "Into The Darkness" ( in Danish 'De forbandede år' ) and it portraits the Danish Resistance movements fight. This movie takes place after 1943 where the official politic of 'corporation' comes to an end, and the Danish Resistance movement is gaining traction. The movie follows the Skov family from 1943 to the end of WWII. The growing opposition to the occupation and the increased brutality of the Germans have fatal consequences for the family.

A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. A tense, diamond-hard film about cultural isolation and bureaucratic ignorance.

Christina is living in a suburb to Copenhagen. With her class mates Cecilie, Trine and Pernille she slacks her school work, living mostly for the weekends of gate crashing, getting drunk, experimenting with drugs and scoring guys. But her world is turned upside down when Cecilie's boyfriend Shaid starts hitting on her, and Cecilie mistakenly believes the two of them are making out.

With a colossal cigar dangling from the corner of his mouth, a libation in hand, and an unmistakable disdain for his political adversaries, Roger Stone emerges as the quintessential ally to Donald Trump. Revered as a right-wing powerbroker, Stone's influential journey traces back to the era of President Nixon, a legacy inked onto his own back. In a film marked by unparalleled access, Christoffer Guldbrandsen captures the tumultuous final months of the Trump administration, centering on the heart of power and climaxing with the unprecedented storming of Congress. Guldbrandsen finds himself amidst the chaos as Trump supporters converge on Washington, witnessing firsthand Roger Stone's strategic retreat from his hotel suite as the 'Stop the Steal' campaign spirals into a riot. A Storm Foretold – Roger Stone and Die unfolds the narrative of a once-established political party metamorphosing into an anti-democratic movement, where impassioned rhetoric evolves into tangible violence.

A LUCKY MAN is a tribute to the popular Danish musician Flemming "Bamse" Duun Jørgensen, who has provided us with classics like “Vimmer Street”, “Why Does Louise Go Dancing” and “In A Boat That’s Itty-Bitty”. Behind the warm smile and the overalls is a powerful and moving story about a man’s lifelong pursuit of recognition and love. Flemming “Teddy” Jørgensen is the only child of 12 siblings to be given up for adoption. Flemming’s adoptive father wishes for Flemming to take over the family’s factory, but to the father’s dismay, Flemming chooses music and becomes the frontman of Teddy’s Friends. A fractured background that leaves deep marks in Flemming’s life. A LUCKY MAN is a warm and compassionate film that tells Teddy’s life story with his biggest hits as the soundscape.

In New Jersey, the Good Grief community focuses on a holistic way of dealing with grief, where children can give in to rage in ‘the volcano room,' and say goodbye to a dying teddy bear patient in ‘the hospital room.' Over the course of a year, we follow the weekly meetings and get close to Kimmy, Nicky, Peter, Nora, Nolan, and Mikayla and their close companion: grief. It is sometimes heartbreaking, but also humorous, to experience the questions about life and death through their open and curious minds. Grief is high and heavy as a mountain, but it helps you understand what has happened, and that death is irreversible.

Three longtime girlfriends from elementary school, very different women, have one thing in common: they are in the fall of their lives and they all feel how ruthless old age can be. Marie is abandoned by her husband on Christmas Eve, and her entire identity as part of a happy family crumbles. Berling is the eternal "bachelor" who outwardly denies her age and lives the sweet life, but in the backdrop she is affected by a complicated relationship with her daughter. Vanja lives in the memories of her late husband and has difficulty moving on. The three travel to Italy together to attend a food course in Puglia, where they each have an opportunity to redefine themselves.

A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.

In Bellum, modern warfare and the development of AI are connecting three seemingly disparate locations and lives; a scientist in Sweden, a private military contractor in the Nevada desert in the USA and a world renowned war photographer in Afghanistan. Through their actions and decisions, the film delves into the jargons and logics that pushes warfare forward. It’s often said that war is inhumane. But in this film, this assumption is turned upside down. Because in fact it seems there is nothing more human than war. Humanity has always been at war, often over abstract ideas such as nationality, borders, religion, money or freedom and this is something that in fact distinguishes us from all other animals on this planet. Perhaps the Greco-Roman world was right that war was a demon; Bellum. And, that the war actually feeds itself: “Bellum se ipsum alet”.