Les Halman

Andras Vayda grows up in a turbulent, war-torn Hungary, where he procures local girls for the occupying G.I.'s during World War II. Disappointed by girls of his age, he meets Maya, a married women in her thirties, who tutors him in the lessons of love and romance. Maya is only the first of many mature women that Andras will meet through his teenage and young adult life.

In this socially conscious drama, a TV journalist begins investigating a large factory that has been threatening the health of the children who live in the town's poorest, most polluted section. Because of his investigation, he and his family are threatened by company thugs. He gets no help from his TV station as they are loathe to tangle with big business.

Donald Marshall is imprisoned for a murder he didn't commit.

Faustus is a clerk in St. John's at the Newfoundland Department of Education. He dreams of becoming ruler of Newfoundland and seceding from Canada. In the real world, Faustus' boss Eddie Peddle plans to indoctrinate the citizenry of Newfoundland with a cult-like geometric theory known as Total Education, but Peddle may be foiled by the revelation of a secret from his past career.

This is a documentary about the fragile and complex marine ecosystem in the Bay of Fundy. The film traces relationships within the food chain - from tiny plankton to birds and seals and finally to whales and humans. The film is a plea for careful management of our ocean resource and was first telecast as part of CBC's Nature of Things series.

This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.

This short film studies the works of one of Canada's greatest contemporary etchers - Newfoundland-born David Blackwood. The artist himself guides viewers through a step-by-step explanation of the etching process. Scenes of his hometown, examples of his own work and vivid tales of an old mariner recall the tragic seal hunts and a way of life that has now vanished.

This film is about the building of a traditional log cabin in Québec. It starts with the tree and finishes with the housewarming. While it is not a realistic housing option for many Canadians, it does provide encouragement for all of us to re-examine the resources around us that we may not be using effectively, if at all.

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

Toronto-born Norman Jewison first gained prominence producing for Canadian television, then went on to greater success making Hollywood theatrical features. In this film he is seen directing a large international cast and crew in the film version of the musical hit 'Fiddler on the Roof'. Between scenes, Jewison talks freely about many aspects of the film industry and some of his experiences in it. A candid study of a director in action.

The film explores how the three British colonies of New Brunswick, Nova Scotia and Prince Edward Island became provinces of Canada and charts the subsequent decline of their economies after Confederation. Photographs, archival drawings, cartoons and interviews with Maritime historians are used to document the case.

A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.

The investigation of a suspected tax fraud, based on actual case files of the Department of National Revenue.

Follow two Canadians, Bob Lush and Mike Birch, aboard their yachts during the 1980 Observer Singlehanded Transatlantic Race. More than a record of this prestigious international sailing event, the resulting film is the starting point for an epic of challenge and determination.

This feature documentary provides a gripping retrospective of United States-Canada relationships through a study of successive presidents and prime ministers. Using archival film footage, it demonstrates that Canadian prime ministers, from John A. Macdonald down, all began their tenures by making overtures to their American counterparts. Attitudes and outcomes have varied widely. The almost comic antipathy between Kennedy and Diefenbaker, for instance, is as palpable here as is the folksy camaraderie of Reagan and Mulroney. Part four of Reckoning: The Political Economy of Canada series.

This feature documentary offers an incisive look at Canadian politics at the 1976 Progressive Conservative Party leadership convention. Cape Bretoner Flora MacDonald is campaigning for the Party’s leadership, the first woman to do so. We follow MacDonald behind the scenes as she works with her staff to prepare policy, speeches, and strategies to win the race. We also get a glimpse of MacDonald’s sprightly and upbeat attitude as she puts her best foot forward in front of voters, media, and the Party’s elite.

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

This documentary by Michael Rubbo (Waiting for Fidel) offers candid glimpses of Indonesia and its people. Filming in and around the capital of Jakarta, the cameras follow where chance leads, capturing the flavour of life in this fertile crescent of tropical islands. Throughout the film, the focus is on a society caught between the past and the conflicting options for the future - to change or not to change from long-established patterns of life to ones more influenced by western technology.

A study of the automobile and its pervasive effect on the history of North America. Focusing on the Ford dynasty, from the original Henry car through to Henry II, the film demonstrates how society has adapted to fit the needs of the automobile.

A compilation of satirical anti-smoking clips.