Yvonne Welbon

Meet Mama Gloria. Chicago’s Black transgender icon Gloria Allen, now in her 70s, blazed a trail for trans people like few others before her. Emerging from Chicago’s South Side drag ball culture in the 1960s, Gloria overcame traumatic violence to become a proud leader in her community. Most famously, she pioneered a charm school for young transgender people that served as inspiration for Chicago playwright Philip Dawkins’ hit play Charm. Luchina Fisher’s empathic and engaging documentary is not only a portrait of a groundbreaking legend, but also a celebration of unconditional love, the love Gloria received from her own mother and that she now gives to her chosen children.

Told through the lens of Janaé and Bella, two fierce abolitionist leaders, Unapologetic is a deep look into the Movement for Black Lives, from the police murder of Rekia Boyd to the election of Mayor Lori Lightfoot.

An experimental dramatic documentary which explores loss and denial in an African American family through the filmmaker's story of her kidnapped twin sisters, erased from family history for 24 years.

After a stint in a juvenile detention center, Treasure is transferred to an adult prison where her mother, whom she has never met, is also imprisoned. Before long, Treasure encounters Brownie, a lifer and gang leader. Brownie reveals that she is Treasure's mother, and takes the girl under her wing, protecting her from the dangers of hardcore prison life. But some women in Brownie's gang resent Treasure's presence, leading to violent conflict.

Queenie Lawrence, a 73-year-young Black Lesbian and resident of the Marcy Projects, navigates applying for the Stonewall Houses, NYC's first LGBT Elder affordable housing.

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.

An interview with the filmmaker Julie Dash about her film training, vision and struggle to bring Daughters of the Dust to the American movie screen. Includes clips of Illusions and Diary of an African Nun.

Explores the careers of twenty black women working as film directors.

The life of a deaf African American woman in the early 1900s parallels with another living in the 1990s.

In this poignant story set in the 1850s, a young slave girl befriends a magical woman in the woods called Mother of the River. Through their friendship the young girl learns about independence, honor, humility and respect for others. MOTHER OF THE RIVER is a rare portrayal of slavery from a young woman's perspective.

Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.

The New Black is a documentary that tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The film documents activists, families and clergy on both sides of the campaign to legalize gay marriage and examines homophobia in the black community's institutional pillar-the black church and reveals the Christian right wing's strategy of exploiting this phenomenon in order to pursue an anti-gay political agenda. The New Black takes viewers into the pews and onto the streets and provides a seat at the kitchen table as it tells the story of the historic fight to win marriage equality in Maryland and charts the evolution of this divisive issue within the black community.

In this deeply personal documentary, Arlieta has gone against all popular advice and quit her day job to care for her father, Milton. She has to learn how to laugh in the midst of a disease that is not very funny, using improv to affirm and validate his experiences. Inspired by her father’s own artistic career, Arlieta turns to comedy to process her emotions. It’s challenging for her and her “bonus mom” Charmaine to watch Milton decline, but they support each other and find healing through laughter.

The oldest known "out" African-American lesbian remembers ten colorful decades in this hour-long documentary, which won the Audience Award for Best Documentary at the San Francisco International Gay and Lesbian Film Festival in 1999. Born July 23, 1899, in Springfield, IL, Ruth Ellis spent most of her life in Detroit. A pioneering independent black businesswoman, she operated her own print shop until the age of 65. In the home she shared with Cecilene "Babe" Franklin, her partner of more than 30 years, she played host to innumerable gatherings of the city's African-American gays and lesbians in an age when segregation excluded them from white homosexual society. A participant in the civil rights movement and a witness of the riots that tore Detroit apart in the 1960s, Ellis later became an icon for, and active participant in, the city's multicultural lesbian and feminist community.

An Autobiography charts the influence of the filmmaker’s six-year experience as an African American woman in Taiwan after college graduation. The highly original film recounts Welbon’s discovery, through another language and culture, of being respected for who she is, without the constant of American racism, and how it helped her achieve self-knowledge. Linking this story with that of earlier women in Welbon’s family, the richly textured memoir blends dramatic sequences with documentary footage.

A thirty-something Black lesbian reflects on falling for her best friend in junior high. Set in the 70s and 90s, this is a delightful tale of love and friendship.

Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.