Hernán Fernández

Emilia arrives at her Aunt Ines’ hostel at the Argentina-Brazil border looking for her long lost brother. In this luxuriant jungle, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.

God is now a Power Plant. On a misty night cows escape, a child is chosen, and a girl tries to find freedom.

A poet boxer. A child under the sun in a cotton field. The persistence of a young amateur boxer. A woman. Tenderness and absence. A portrait of a man with the wit and wisdom of those who have faced death.

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Valentyna and her bed-ridden mother live on a small farm surrounded by the evergreen, lush flora of the rain forest. The works and thoughts of the poet and the artist, though, are filled with the landscapes of their old home, Ukraine. Memories of snow and birch trees, thistles and orchids, vegetable gardens and their animal residents come to life in Tamara’s poems and Valentyna’s drawings.

Miguel is a small soybean producer dedicated to the production and rent of the farm. He lives with Juan, his neighbor and childhood friend, who survives with his small fraction of grass, a cow and a canoe to fish in the river. Both understand life as cycles of nature.

In Spain, between 1938 and 1996, thousands of babies were stolen from their mothers at birth. Carolina Escudero, an Argentinian with a degree in journalism and a doctorate in social psychology, lives with her family in Barcelona. She has been researching the issue for several years and works with members of the group S.O.S. Stolen Babies Catalonia.

Documentary on the problem of the use of weapons in the hands of civilians. The central story is that of the Marcenac family, that after their son Alfredo was murdered by "El tirador de Belgrano", they initiate a fight to make sure guns are not in the hands of civilians without the indicated controls.