Jorge de la Riestra

When listening to a melody, an old man recalls moments of his childhood.

A late pregnancy disrupts the routine of a mature marriage.

A successful actress tells a journalist the story of her love for a musician who left her once she was successful.

An orphan girl tries by all means that her father does not marry with an ambitious woman.

The director of a murga falls ill with poliomyelitis and to help him the members donate the money they earned.

No description available.

A magazine company and some in-love couples board a night train where a gang of bandits is traveling.

A gang of criminals takes advantage of a dog's intelligence to commit their misdeeds.

The romance between a young man from a wealthy family and the dancer from a place of fun.

A submissive and unhappy man is mistaken for a famous assailant and people who despised him begin to respect him.

In the 1930s a young revolutionary falls in love with a young woman of innocent appearance but who really works in a brothel.

Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

Different porteño arquetypes and their views on sex.

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.

In 1956 a military civic coup against self-appointed Liberating Revolution fails, and in Jose Leon Suarez, Argentina, are killed several suspected to be part of the civil uprising. However survive seven people manage to tell the story.

A detective is sent to uncover the perpetrators of a series of robberies at an electronics factory.

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.

The difficult, dangerous, and selfless work of an expedition that set out for the harsh and deserted Plaza Wincul Valley in search of oil.

The foreman of a ranch, secretly in love with the owner, tries to protect her from the gold diggers.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.