Nora Lam
Directing
Known For

The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.
We Have Boots

Edward Leung was an average student before he unexpectedly finds himself at the focal point of two Legislative Council elections. Despite winning over 60,000 votes in the by-election, his ticket to LegCo is forfeited when the regime imposes extra measures in the nomination process. On the other hand, Edward finds his free days numbered as he faces rioting charges for taking part in the Mong Kok Protest.
Lost in the Fumes

After the failed Umbrella Revolution in 2014, lives go back to normal, but the scenes of the great protest are like yesterday for Billy and Popsy, students in the University of Hong Kong who took part in the movement. One of them now becomes a student leader, while the other chooses a low-profile life as a private tutor. Amid the rapid social changes, when the Communist Beijing government is extending their influence to Hong Kong to take away the freedom and democracy, how would the youths see their future? Do they still see hopes, when both peaceful protests and radical actions seem to be futile?
Road Not Taken

Call girl Ruby dates men for pay. Arrested, she seeks help from a lawyer client. He advises her to seek letters of mitigation from people with high social status, and to play along with the probation officer. By performing an act of penitence, Ruby may be given a more lenient sentence. The lies she tells the officer, initially mere tales to solicit sympathy, slowly reveal a heartbreaking story of someone let down by adults all her life.
Call Girl And The Pimps

Four years later, Hong Kong’s 2014 democratic Umbrella Movement has been nominated for a Nobel Peace Prize, yet political backlash against protesters has intensified. Repeatedly the target of censorship*, Raise the Umbrellas traces the lineage of the massive Hong Kong protest to the global Occupy movement, 1989 Tiananmen, and its democratic struggles since British colonial days. Highlights range from the Umbrella Movement’s eco-awareness and its burgeoning aspiration for independence, to its empowerment of women -- “umbrella mothers” -- and the rainbow-bridging activism of LGBTQ iconic artists. Incisive and intimate, driven by stirring on-site footage in a major Asian metropolis riven by protest, Umbrellas includes anti-Occupy views that lay bare the sheer political risk for post-colonial Hong Kong’s universal-suffragist striving to define its autonomy within China.
Raise The Umbrellas

This is a city where personality traits, psychology and interest are quantified in order to assign a ‘perfect match’ for qualified members of the society. Boundaries are drawn by a state of 'perfection' maintained by the pairing system, while those wishing to find their partners at their own will are to be expelled. Growing up in the outer circle, Shun has always been longing for finding 'the one' through the pairing system. Emma, on the other hand, keeps a secret from her loving partner assigned by the system. When their paths cross, they are walking without a direction.