Directing
After Henry is a British sitcom written by Simon Brett, and starring Prunella Scales and Joan Sanderson. Originating as a radio programme on BBC Radio 4 from 1985 to 1989, it was adapted for television by Thames Television. Sarah is the 42-year-old widow of GP Henry France. She lives in an often volatile family situation with her elderly mother Eleanor Prescott, and her daughter, 18-year-old Clare, with both of whom she shares a house. Following Henry's death, the family have to find a way to cope with each other as best they can. The BBC was initially hesitant to produce a series but after three successful runs on BBC Radio 4, it was commissioned for the small screen. The series was surprisingly popular, attracting over 14 million viewers. Four seasons were made, with the last transmitted after the death of Sanderson, who died on 24 May 1992.
In an attempt to escape their destiny in being all-too-widely recognised as the creators of some of the funniest, riotously surreal work of the last decade, Spymonkey turn their unique brand of inspired theatrical invention to the greatest of tragic tales in order to establish their legacy as the greatest tragic geniuses of their generation. Like Oedipus himself, however, they discover that eluding destiny is no mean feat. Spymonkey’s hilariously inspired physical comedy combines with the playful storytelling verve of Kneehigh artistic director Emma Rice and writing partner Carl Grose to create an outrageous no-holds-barred subversion of the quintessential Greek tragedy. Inspired by Barbarella and a little bit of Bond, this is a tale of the ultimate dysfunctional family: a jealous father, a messed-up son, and one mother of a brilliant comedy. Filmed at the Brighton Festival in 2012
Based on the novel by Emily Brontë, adapted and directed by Emma Rice. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights. He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed. Shot through with music, dance, passion and hope, Emma Rice (Romantics Anonymous, Brief Encounter) transforms Emily Brontë’s masterpiece into a powerful and uniquely theatrical experience. Lucy McCormick (Post Popular) and Ash Hunter (Hamilton) lead the company of performers and musicians in this intoxicating revenge tragedy for our time.
Cross-dressing, hijinks and bittersweet hilarity as Emma Rice directs Shakespeare’s timeless, soulful and irrepressible comedy. Synopsis Twins Sebastian and Viola are shipwrecked on the coast of Illyria, separated and believing each other to be dead. Beside herself with grief, Viola disguises herself as a boy and goes into the service of the Duke Orsino. The Duke, madly in love with the Countess Olivia, sends Viola to woo on his behalf... Olivia falls in love with the cross-dressed page while Viola falls deep and fast for Orsino. Meanwhile, mischievous servants play painful pranks at each other’s expense. Heady chaos ensues as griefs, loves and deep human confusions collide, but fear not! Sweet resolution wins the day as friends, twins and lovers are reunited.
Angélique makes beautiful chocolates, carefully infused with all the emotion that seems to overwhelm her in daily life. Jean-René runs a chocolate factory that is running out of steam, rather like his own existence. Both seek help from the usual sources: Jean-René favours self-help tapes and Angélique joins a support group, Les Émotifs Anonymes. Romantics Anonymous is an unusual and tender love story in which the obstacles to happiness are not the usual external barriers, but those sneaky little ones we know all too intimately: the ones within.
Partners in life and on canvas, Marc and Bella Chagall are immortalised as the picture of romance. But whilst on canvas they flew, in life, they walked through some of the most devastating times in history.
A recording of the final night of Emma Rice's transgressive and flamboyant production of Shakespeare's comedy at the Globe in London. Four runaway lovers find themselves smack bang in the middle of a dispute between the King and Queen of the fairies, and, as if that wasn’t enough, a troupe of amateur actors are trying to rehearse a play. Between these unlikely groups flies Puck, armed only with a wicked sense of humour and a love potion capable of making anyone fall for the first person they set eyes upon. What could possibly go wrong?
Smack bang in the middle of nowhere (or was it somewhere on the legendary Route 66?) two women are thrown together by chance. Stranded tourist Jasmin stumbles out of her unhappy marriage and finds herself at Brenda’s remote cafe and motel. Ordinarily, no one would choose to stay at the Bagdad Cafe but in the dust and isolation, unexpected and extraordinary friendships begin to blossom. The lost are found as individuals transform into an eclectic community bound by music, magic and some very strong coffee.
Blue Beard the Magician makes hearts flutter and pupils dilate. With a wink, a stroke and a flick - things just seem to vanish. Cards, coins, scarves… and women. Puff! Gone. Without a trace. He meets his match when his young bride discovers his dark and murderous secret. She summons all her rage, all her smarts and all her sisters to bring the curtain down on his tyrannous reign. Emma Rice brings her own brand of theatrical wonder to this most beguiling and disturbing of tales. With her signature sleight of hand, Blue Beard explores curiosity and consent, violence and vengeance - all through an intoxicating lens of music, wit and tender truth. When someone tells you not to look, OPEN THE BLOODY DOOR
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 70th birthday. Over the river in Chelsea, their father and greatest actor of his generation, Melchior Hazard, turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all…
