Art
GURIA (its a region in western Georgia) is an astute dramedy about everyday life in a village in western Georgia. This poignant, yet humorous slice of life, brims with charming, loveable characters – fighting against all odds to live a proud and joyful life. Guria champions ingenuity, kindness, and the eternal search for love despite a raging civil war. Though set after the collapse of the Soviet Union, it is a timely reminder of how shared humanity and compassion are the truest measure of our capacity.
In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins.
A lonely 40-year-old schoolteacher takes up with the wife of a soon-to-be-released convict. A compassionate tragicomedy commenting on relationships and the profound emotional responsibilities they trigger.
Soviet Georgia, 1983. Preparations for Nika and Ana's wedding are in full swing and it's a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they plot an audacious escape from the Soviet Union.
Set against the backdrop of a small traveling circus, a European clown and his 5-year-old daughter lead each other through the everyday mysteries of love, magic and loss. Based on the long poem “The Clown” by Anthony Lucero.
By the river of oblivion, a lonely horsemen passes through a village where children play with hidden desires, adults are indulged in a celebration and violence and love are instinctive parts of life.
A widowed mother and daughter's ascetic life in an isolated village in the Caucasus mountains is interrupted by the arrival of a foreign traveller in need of shelter. His presence awakens erotic longing in both women, who are left to simmer in their guilty consciences after the traveller departs.
Nina is barely 40, she is attractive and successful: a stable marriage, a trusting relationship with her husband, a little son, a favorite job. The idyll of pleasant stability is broken by a call from the past - Nina's ex-lover Ruslan is dangerously ill and asks her to come to Tbilisi to see him, perhaps for the last time. The husband does not mind, he knew about their relationship in the past. Nina is happy to go to the city where she was happy in order to support a once loved one in a friendly way. She believes she loves her husband and family and plans to return home soon, not expecting this light trip to be her last.
Eka and Natia leave their childhood behind and ignore societal customs to escape from their turbulent family lives.
The Soviet Union has collapsed. Civil and ethnic wars have broken out in Georgia, Azerbaijan, and Armenia, three republics in the Caucasus. The post-Soviet Caucasus have turned into one large conflict zone. Two radically different people with different ideals, problems, and goals are united by the conflict zone. Gogliko, a Tbilisi street boy, and Spartak, a Sukhumi sniper, are forced to solve problems of the street and problems of the state together. For one, the goal is to get back the money he lost gambling; for the other, it is to carry out a general's absurd military mission. In spite of it all, their paths cross and their lives are changed forever.
The Criminal Man tells the story of the main engineer of a factory, 25-year-old George Meskhi, who has accidentally witnessed the killing of a famous goalkeeper. All this turns his life upside down. George begins to follow the young and beautiful wife of the goalkeeper and becomes interested in everything related to this crime. He studies the faces of the criminals, looking for a clue to some mystery in them. This is a film about a metamorphosis and about the birth of a murderer.
Washed up British film director, Emil, who is invited by a nascent state to make a national Epic in an obscure Caucasus Republic ruled by an eccentric and corrupt dictator. When down and out Academy award winning British film director Emil Miller receives an invitation to the Embassy of the Autonomous Republic of Karastan, little does he know that he will be embarking on one of the wildest journeys of his already diverse and colourful career.
The detective will have to figure out the mysterious death of an English secret agent who came to Tbilisi to sell important secret information.
