FEEL IT.STREAM
?

Alberto Lorca

Crew

Known For

The Naked Maja
6.2

A historical fiction based on the lives of artist Goya and the Duchess of Alba

The Naked Maja

1958
Bicycles Are for the Summer
6.9

In Madrid, the family of Don Luis, his wife Dolores and their children, Manolita and Luisito, share the daily life of the Civil War with their maid and neighbours. Despite having failed his exams, Luisito wants his father to buy him a bicycle. However, the situation forces them to delay the purchase and the delay, like the war itself, is to last much longer than expected.

Bicycles Are for the Summer

1984
Sin un adiós
6.2

Mario Leyva, famous singer in full glory harassed every day more for his "fans", takes the life that they allow him, dedicated to his art and directed professionally by his "manager". His popularity makes him be mixed in the advertising of a brand of cigarettes by advertising phrases that repeat themselves in all the languages.

Sin un adiós

1970
La batalla del domingo
5.0

Alfredo Di Stéfano plays himself, not as a soccer player but as a man, husband and father. This is a personal portrait of the mythical athlete, in the decline of his career. Film made to the greater glory of the football player Alfredo Di Stefano. In principle it is a portrait of manners of the life of the athlete at the time of professional retirement. Filmed by Luis Marquina, " The Battle of Sunday " mixes the form of a conventional film with the topics of biographical documentaries. However, the film was an important public success, given the importance of Di Stefano in Spanish football.

La batalla del domingo

1963
Días de viejo color
4.6

In the Easter holidays of 1967, three friends come to Torremolinos willing to flirt and experience strong emotions. Contact with a new environment, in which while some find the lies that hide behind the luxury and splendor and dangers that accompany life easier, others find true love.

Días de viejo color

1968
Las Leandras
6.5

After finishing her studies in London, Patricia returns to Spain, excited to see her mother again, a famous revue showgirl. But upon her arrival, she discovers that her mother is ruined and working in a low-tier theater. Mother and daughter decide to fight together to regain fame and fortune.

Las Leandras

1969
Al fin solos, pero...
6.7

No description available.

Al fin solos, pero...

1976
Flamenco
7.0

Title changed to "Flamenco" when it was first released in the USA in 1954, this is a program of Spanish songs and dances with the emphasis on "flamenco" or gypsy contributions. The USA version has an English narrative written by Walter Terry, the dance critic of the "New York Herald Tribune" newspaper. Heading the cast are Antonio (I), Pilar Lopez and Maria Luz, three of Spain's foremost dancers of the time, accompanied by members of the Ballet Espanol. Filmed in Cinefotocolor in which orange and blue dominated, a combination that should appeal to the fans of Auburn University athletic teams. Distributed in the USA by Martin J. Lewis.

Flamenco

1952
Más bonita que ninguna
5.6

Roberto (Luigi Giuliani) and Luisa (Rocío Durcal) are a couple but are not as sincere as they should be. She tells him she works at Telefónica when she actually sells cigarettes at "The Green Windmill" cabaret. She's surprised when she discovers plans for a bachelor party there in honor of Roberto, who is marrying a wealthy heiress. In revenge, Luisa adopts the role of Luisito and faces Roberto in disguise.

Más bonita que ninguna

1965